pareil j'ai vu les trois
Ta raie.
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Dans la noir et blanc on l'entend juste se faire enculer par son vieux...
Sincèrement clé j'ai pas compris la démarche, ils ont même fait revenir l'actrice du 1 mais j'ai vraiment pas pigé quoi... J'imagine même pas l'ambiance sur le tournage et comment tu vends un film pareil aux producteurs... Faut croire qu'il y a un public pour ce genre d'atrocités.
Perso je retourne regarder The Sound of Music...
Perso je retourne regarder The Sound of Music...
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C'est pas l'histoire d'un mec qui fusionne des êtres ensemble, Avec un docteur fou qui kidnappe des gens?
Human centipede - The human centipede is basically about a guy that dreams to fuse lives together and create a human centipede. Doc Heel kidnaps 3 individuals and connects them front fo bottom forcing them to crawl on all fours. There are 2 more human centipedes films being more extreme than the last. Centipede was so extreme that it was for a time banned from the UK and Australia, later released with certain scenes cut.
Censored 11 - It's a group of cartoons created by the Warner Brothers during what's known as the golde age of animation. Some of these cartoons however were so controversial that they were put out of circulation by Warner brothers in 1968, like the cartoons about stereotypes and caricatures of African Americans. " Coal black and the sebben dwarfes" is a famous example. Their characters are often shown as lazy foolish or subserviant playing into harmful tropes that are more comon common in the 1930s and 1940s. Some cartoons of these were inspired by monstral shows.
Threads - Threads follows the story of 2 families, the kemps and the becketts. Ruth Beckett and Jimmy Kemps are a young couple with a life changing decision ahead of them. Ruth is pregnant and both plan to marry. Meanwhile after Soviet invade Iran, USA and USSR are in the brink of WW3. But these people in Sheffield these events feel like a world away though that all changes when diplomacy fails. Sheffield becomes a target and when the attack comes, it's brutal and unrelenting. Fire spread uncontrollably, things disappear in the buclear blast. Chaos, fear, devastating loss, nothing is spared. But real horror lies in what comes next. The film dives deep into the aftermath. Government collapses, food supplies vanish and medical care is non existent as a nuclear winter plunges thee survivors into a fight for survival against starvation, disease and radiation. Ruth survived but she struggled in this unrecognizable world as she has to take care of her newborn child who is born with mental deficiencies due to being exposed to so much radiation. The film premiered on 23rd of September 1984. during a period where the fear of nuclear war as in an all time high. So it sparked some controversy. The movie portrayed the government as disorganized and ineffective leaving the average citizen to fend for themselves. The graphic nature of the film was also controversial. Audiences weren't prepared for that brutality, such as people being burned alive, dying from radiation sickness, biting over scraps of food. It felt so realistic that some viewers reported to feel physically ill.
Zero day - You feel like in a real home video, with no slick editing, no dramatic music and no indication that what you are washing is scripted. It's designed to make it look like it's a real footage with the story following 2 high school seniors, André and Cal, as they document their everyday lives. On surface they seem like average teenagers living average lives. But a darker side emerges when on April 1999, when 2 real life high schoolers being Eric Harris and Dylan Klebold carried out a planned attack at their school, leaving 13 deads and dozens of injured. Eric and Dylan spent months documenting their plans, recording video diaries that came to be known as the basement tapes. These recordings offered a slight inside into their lives and motivation. A mix of anger, alienation and a disturbing desire to leave their mark on the world. Coming back to the movie, André and Cal feel disconnected from the world aroudn them, seeing themselves as outsiders, smarter than their peers and deeply frustrated with society. As the film progresses, they record their thoughts, feelings and preparations in strikingly similar ways of the real life Columbine shooters. Similarities don't just stop them at planning their attack, testing their weapons. André and Cal don't act like stereotyped villains. They act as normals. Just like Eric and Dylan, they go on to destroy their own high school. Zero Day was released in 2003, just 4 years after the real life shooting events. Many critics wondered if it was too soon to create a story so closely resembling to the real events as the film risked glamorizing the shooters by humanizing them.
The exorcist - When it debuted in theaters in 1973, it wasn't just a movie but an event based on the best story selling novel by William Peter Blatty. The film tells the story of a young girl named Regan who becomes possessed by a demon forcing her mother to seek help from 2 Catholic priests. But the horror didn't stopped when the camera stopped rolling. In fact, the most unsetting events happened off screen haunting the production and those who worked on it. The strengeness began almost immediatly. What should have been a normal shoot quickly spired into chaos with a serie of bizzare and unexplained accidents leaving the casting crew shaken. The most infamous was in early production when afire broke out on set overnight the entire sound stage for the McNeil family home where of most the film's indoor scenes were shot was destroyed. The fire forced the crew to hold production for 6 weeks. They rebuilt the set from scratch but strangely amidst the production, one room remained untouched : Regan's bedroom where the exorcism scenes were to take place. Even the crew hardened by years in the business found this detail deeply unsettling. William Friedklin, the director was unevered, reportedly brought a real priest, father Thomas Birmingham to bless the set after the fire. The priest walked through the rebuilt sound stage, sprinkling holy water and performing prayers of protection. However, accidents seemed to still follow the production wherever it went. Ellen Burston who played Regan's mother, Chris Mcneel, suffered a seriou back injury during a stunk gone wrong.
It was in a scene where Regan under demonic possession throws her mother across the room. Burston was rigged to harness and yanked backwards to make it more realistic. But things went wrong and the force of the pull caused Burston to accidentally fall, injuring her lower spine. Her real scream was captured on camera and was left in the final cut of the film. Linda Blair, the actor of Regan, wasn't spared either with the acress enduring 7 injuries that were quite severe by times. In one incident, the mechanical bed used to simulate Regan's violent trashing malfunctioned, causing Blair to suffer a permanent back injury. But the accidents weren't confined to the set. Strange and tragic events seemed to follow the cast and the crew into their personnal lives with one of the worst accidents involving Max Von Sadal, who played father Marin, the priest who leads the exorcism in the film. Shortly after he arrived in New York to film Max received the word that his brother died unepextadly. Other crew and their families suffer inexpected losses during the making of the movie. In total, 9 deaths were linked to people connected with the Exorcist while it was in production, from actors family members to set workers. All this set of tragedy added to thee growing belief that the film was actually cursed.
Human centipede - The human centipede is basically about a guy that dreams to fuse lives together and create a human centipede. Doc Heel kidnaps 3 individuals and connects them front fo bottom forcing them to crawl on all fours. There are 2 more human centipedes films being more extreme than the last. Centipede was so extreme that it was for a time banned from the UK and Australia, later released with certain scenes cut.
Censored 11 - It's a group of cartoons created by the Warner Brothers during what's known as the golde age of animation. Some of these cartoons however were so controversial that they were put out of circulation by Warner brothers in 1968, like the cartoons about stereotypes and caricatures of African Americans. " Coal black and the sebben dwarfes" is a famous example. Their characters are often shown as lazy foolish or subserviant playing into harmful tropes that are more comon common in the 1930s and 1940s. Some cartoons of these were inspired by monstral shows.
Threads - Threads follows the story of 2 families, the kemps and the becketts. Ruth Beckett and Jimmy Kemps are a young couple with a life changing decision ahead of them. Ruth is pregnant and both plan to marry. Meanwhile after Soviet invade Iran, USA and USSR are in the brink of WW3. But these people in Sheffield these events feel like a world away though that all changes when diplomacy fails. Sheffield becomes a target and when the attack comes, it's brutal and unrelenting. Fire spread uncontrollably, things disappear in the buclear blast. Chaos, fear, devastating loss, nothing is spared. But real horror lies in what comes next. The film dives deep into the aftermath. Government collapses, food supplies vanish and medical care is non existent as a nuclear winter plunges thee survivors into a fight for survival against starvation, disease and radiation. Ruth survived but she struggled in this unrecognizable world as she has to take care of her newborn child who is born with mental deficiencies due to being exposed to so much radiation. The film premiered on 23rd of September 1984. during a period where the fear of nuclear war as in an all time high. So it sparked some controversy. The movie portrayed the government as disorganized and ineffective leaving the average citizen to fend for themselves. The graphic nature of the film was also controversial. Audiences weren't prepared for that brutality, such as people being burned alive, dying from radiation sickness, biting over scraps of food. It felt so realistic that some viewers reported to feel physically ill.
Zero day - You feel like in a real home video, with no slick editing, no dramatic music and no indication that what you are washing is scripted. It's designed to make it look like it's a real footage with the story following 2 high school seniors, André and Cal, as they document their everyday lives. On surface they seem like average teenagers living average lives. But a darker side emerges when on April 1999, when 2 real life high schoolers being Eric Harris and Dylan Klebold carried out a planned attack at their school, leaving 13 deads and dozens of injured. Eric and Dylan spent months documenting their plans, recording video diaries that came to be known as the basement tapes. These recordings offered a slight inside into their lives and motivation. A mix of anger, alienation and a disturbing desire to leave their mark on the world. Coming back to the movie, André and Cal feel disconnected from the world aroudn them, seeing themselves as outsiders, smarter than their peers and deeply frustrated with society. As the film progresses, they record their thoughts, feelings and preparations in strikingly similar ways of the real life Columbine shooters. Similarities don't just stop them at planning their attack, testing their weapons. André and Cal don't act like stereotyped villains. They act as normals. Just like Eric and Dylan, they go on to destroy their own high school. Zero Day was released in 2003, just 4 years after the real life shooting events. Many critics wondered if it was too soon to create a story so closely resembling to the real events as the film risked glamorizing the shooters by humanizing them.
The exorcist - When it debuted in theaters in 1973, it wasn't just a movie but an event based on the best story selling novel by William Peter Blatty. The film tells the story of a young girl named Regan who becomes possessed by a demon forcing her mother to seek help from 2 Catholic priests. But the horror didn't stopped when the camera stopped rolling. In fact, the most unsetting events happened off screen haunting the production and those who worked on it. The strengeness began almost immediatly. What should have been a normal shoot quickly spired into chaos with a serie of bizzare and unexplained accidents leaving the casting crew shaken. The most infamous was in early production when afire broke out on set overnight the entire sound stage for the McNeil family home where of most the film's indoor scenes were shot was destroyed. The fire forced the crew to hold production for 6 weeks. They rebuilt the set from scratch but strangely amidst the production, one room remained untouched : Regan's bedroom where the exorcism scenes were to take place. Even the crew hardened by years in the business found this detail deeply unsettling. William Friedklin, the director was unevered, reportedly brought a real priest, father Thomas Birmingham to bless the set after the fire. The priest walked through the rebuilt sound stage, sprinkling holy water and performing prayers of protection. However, accidents seemed to still follow the production wherever it went. Ellen Burston who played Regan's mother, Chris Mcneel, suffered a seriou back injury during a stunk gone wrong.
It was in a scene where Regan under demonic possession throws her mother across the room. Burston was rigged to harness and yanked backwards to make it more realistic. But things went wrong and the force of the pull caused Burston to accidentally fall, injuring her lower spine. Her real scream was captured on camera and was left in the final cut of the film. Linda Blair, the actor of Regan, wasn't spared either with the acress enduring 7 injuries that were quite severe by times. In one incident, the mechanical bed used to simulate Regan's violent trashing malfunctioned, causing Blair to suffer a permanent back injury. But the accidents weren't confined to the set. Strange and tragic events seemed to follow the cast and the crew into their personnal lives with one of the worst accidents involving Max Von Sadal, who played father Marin, the priest who leads the exorcism in the film. Shortly after he arrived in New York to film Max received the word that his brother died unepextadly. Other crew and their families suffer inexpected losses during the making of the movie. In total, 9 deaths were linked to people connected with the Exorcist while it was in production, from actors family members to set workers. All this set of tragedy added to thee growing belief that the film was actually cursed.
Et le pire c'est qu'il existe des films encore plus inquiétants.
On level 4 of the iceberg there are movies like Mai Chan's daily life. - It follows a young women's life, who secures a life and made position at a secluded mansion. At first everything appears normal with polish floors, pristine, french maid outfits and the promise of a stable life away from the chaos of the outside world. But as the character begings her work, she realizes there is nothing ordinary about this place. The other maids like Miao are here to server. But their roles extend far beyond cleaning when taking orders. They are subjected to their employers perverse and violent fantasies, forced into acts of submission and degradation. Among the 3 maids, one stands out, possessing an ability : healing from any injury no matter how severe it is. Immortality might be a gift, in her cuse this is her curse. Her employers exploit her regenerative powers to in the most grotesque ways imaginable. Day after day, Mai becomes the unwilling centerpiece of their desire, enduring acts of torture and violence that are all shown to the viewers in graphic details. At first, Miyako is horrified watching Mai endure these endless pain with no relief. It's a spectable that should repel anyone but this mansion has a way of warping those those who live within these walls. And slowly, Miyako's resistance fails under pressure. From her employers she is persuaded to take part in their cruelty inflicted on Mai. One of the most infamous sequences involves acts of cannibalism with her abusers literlaly talking pieces out of her, consuming them as though they were a disposable source of endless food. The film doesn't spare you any of the details.
Every shot and every scene become hard to get trough. The grotesque imagery is aired with a nonchalance. The characters around her don't treat her with pity and compassion. They see her as an object for their entertainment with the dehumanization of Mai being central to the film's chock factor. When the film was released, it was immediatly controversial. Even in a country like Japan, known for its tolerance of extreme entertainment, especially when it comes to video games, the film was met with outrage, discussed. Outside of Japan, the reaction was even more severe. The film was either banned either heavily censored in multiple countries, deemed too graphic and too disturbing for public consumption.
Birth of a nation. - It first the movie looks like an epic tale of the American civil war and it's aftermatch. But if you actually watch it, it's not just telling a story but rather spreading a message and a dangerous one at that. The film is divided into 2 parts. The first half shows the Civil War and its devastating impact on 2 white families. The stoneman from the north and the Camerons from the south.It betrays their struggles, their heartbreaks and their losses during the war. This part of the film is dramatic, emotionnal and carefully crafted to draw you though it's easy to forget what's coming next. The second half is where the true intentions of the film become clear. It focuses on reconstruction, the period after the Civil War when the South was being rebuilt. The director of the film, D. W. Griffith, doesn't show this as a time of progress. Instead, he portrays it as a nightmare. Black characters played by white actors in black paint are shown as corrupt, violent and incapable of governing. THey are depicted as predators out to destroy white Southern society. One of the most infamous parts of the film is its portrayal of the Ku Klux Klan. The director doesn't show the clan as the violent, racist group that we know today. Instead they are painted as noble heros, riding to save the south from the chaos caused by black people. In one dramatic scene, the clan charges to the rescue of a white family with dramatic music swelling in the background. This scene is designed to make the audience sheer for them, to see them as saviors, not villains. In another scene, a black character chases a white women trying to force her into marriage. She runs in terror and eventually throws herself off a cliff to escape. The birth of a nation also portrays reconstruction era black politicians as lazy, incompetent and immorals. In one scene, they are shown drinking alcohol, and putting their bare feet up on deskss.
During a government meeting, Grith claimed he didn't make the film to spread hate. He argued it was just a story. But the way he choses to tell taht story reveals the truth. When the birth of a nation was released in 1915, it was a phenomenon. Audiences flocked in theaters with some traveling miles just to see it. It quickly became the highest grossing film of its time, earning what would be equivalent of hundred of millions of dollars. But the film's success wasn't just about ticket sales. It had a ripple effect that would leave a stain on history. The most immediate and chilling fallout was the revival of the Ku Klux Klan. Before the film, the clan largely faded into obscurity. But birth of a nation made them heroic. Inspired by the film, William J Simmons founded a new clan in 1915 just a few months after the film's release. He reportedly used the movie as a recruitment tool showing to the clan's meetings to inspire new members. By the 1920s, the KKK has grown into a powerful nationwide organization with millions of members. They marched openly in cities, staged massive rallies and committed acts of violence and terror while waving the the banner of their so called heroic legacy as shown in the film. Even the president Woodrow Wilson was caught in the controvery. After a private screening at the White House he allegedly praised the film, calling it like writing history with lightning. Though historians debate whether he actually said, this wuote was widely reported at the time, giving the film even more legitimacy in the eyes of its supporters. Despite its controversial legacy, the birth of a nation literally revolutionnized film making settling the standard for cinematic storytelling at over 3 hours. It was a long, it was one of the first film to feature a complex narrative with emotional depth and multiple storylines proving that films could be more than just mindless entertainment, that it could be actual art.
Slaughtered vomit dolls - When you hear the name " Lucifer for Valentine ", it's hard to not picture someone who would make a film called " slaughtered vomit dolls ". Valentine calls herself the pionner of the vomitgore sub genre. A label as strange and grotesque as the films created. The film is a fragmented serie of graphic and surreal images loosely tied together by the main character Angela who is spiraling into madness. And Valentine doesn't shy away from showing extreme violence, often lingering scenes of bodily harm far longer than most viewers could stomach. The film also incorporates an unusual and highly controversial element : real vomiting. Multiple scenes show actors forcing themselves to vomit on cameras, sometimes repeatedly. It's not just a fleeting moment either. It's a central theme of the film appearing over and over. What makes these scenes even more unwatchable is the way they blurred the line between fiction and reality. While the violence is staged, the vomiting is real, creating a very grotesque mix of the truly authentic and the staged. You don't watch actors just pretending to suffer. You see them physically endure something unpleasant.
Guinea Pig - The story of Guinea Pig begins with Hideshi Hino, a manga artist known for his grotesque and shocking illustrations. He is specialized in creating disturbing and surreal comics that explored the darkest corners of human imagination. But drawing wasn't enough. He wanted to bring his twisted visions to life on screen. His idea was very simple : make films that looked so real that people would forget they were watching fiction. The Guinea Pig's serie launched with the devil's experiment in 1985. A short film that sets the tone for what was to come. There wasn't really a plot but rather a serie of increasingly brutal tortures inflicted in a young women. However, the second installment flowers of flash and blood is what cemented Guinea Pig as one of the most infamous serie of all time. Directed by Hideshi Hino himself, he was reportedly inspired by a letter he had received from a fan. The fan claimed to be a murderer and described ing raphic details how he had dismembered his victims. He turned this twisted inspiration into a film that would haunt audiences for years. Flowers of flash and blood depicts a samurai abducting a women, drugging her and destroying her piece by piece. All is shown in excruciating details, using prosthetics, animal parts and gallons to fake blood. The filmmakers made visuals so realistic that even fans accostumed to extreme gore were left shaken. It's like if somehow the filmakers captured the real violence on camera. And that was the point. The director wanted the audience to make them feel like they were witnessing something they shouldn't be watching. What happened in 1991 elevated their notoriety to a whole new level. This was the moment when a Hollywood actor convinced that flower of flesh and blood was a real snuff film, sparked a FBI an investigation that would forever cement this serie's legacy in horror history.
On level 4 of the iceberg there are movies like Mai Chan's daily life. - It follows a young women's life, who secures a life and made position at a secluded mansion. At first everything appears normal with polish floors, pristine, french maid outfits and the promise of a stable life away from the chaos of the outside world. But as the character begings her work, she realizes there is nothing ordinary about this place. The other maids like Miao are here to server. But their roles extend far beyond cleaning when taking orders. They are subjected to their employers perverse and violent fantasies, forced into acts of submission and degradation. Among the 3 maids, one stands out, possessing an ability : healing from any injury no matter how severe it is. Immortality might be a gift, in her cuse this is her curse. Her employers exploit her regenerative powers to in the most grotesque ways imaginable. Day after day, Mai becomes the unwilling centerpiece of their desire, enduring acts of torture and violence that are all shown to the viewers in graphic details. At first, Miyako is horrified watching Mai endure these endless pain with no relief. It's a spectable that should repel anyone but this mansion has a way of warping those those who live within these walls. And slowly, Miyako's resistance fails under pressure. From her employers she is persuaded to take part in their cruelty inflicted on Mai. One of the most infamous sequences involves acts of cannibalism with her abusers literlaly talking pieces out of her, consuming them as though they were a disposable source of endless food. The film doesn't spare you any of the details.
Every shot and every scene become hard to get trough. The grotesque imagery is aired with a nonchalance. The characters around her don't treat her with pity and compassion. They see her as an object for their entertainment with the dehumanization of Mai being central to the film's chock factor. When the film was released, it was immediatly controversial. Even in a country like Japan, known for its tolerance of extreme entertainment, especially when it comes to video games, the film was met with outrage, discussed. Outside of Japan, the reaction was even more severe. The film was either banned either heavily censored in multiple countries, deemed too graphic and too disturbing for public consumption.
Birth of a nation. - It first the movie looks like an epic tale of the American civil war and it's aftermatch. But if you actually watch it, it's not just telling a story but rather spreading a message and a dangerous one at that. The film is divided into 2 parts. The first half shows the Civil War and its devastating impact on 2 white families. The stoneman from the north and the Camerons from the south.It betrays their struggles, their heartbreaks and their losses during the war. This part of the film is dramatic, emotionnal and carefully crafted to draw you though it's easy to forget what's coming next. The second half is where the true intentions of the film become clear. It focuses on reconstruction, the period after the Civil War when the South was being rebuilt. The director of the film, D. W. Griffith, doesn't show this as a time of progress. Instead, he portrays it as a nightmare. Black characters played by white actors in black paint are shown as corrupt, violent and incapable of governing. THey are depicted as predators out to destroy white Southern society. One of the most infamous parts of the film is its portrayal of the Ku Klux Klan. The director doesn't show the clan as the violent, racist group that we know today. Instead they are painted as noble heros, riding to save the south from the chaos caused by black people. In one dramatic scene, the clan charges to the rescue of a white family with dramatic music swelling in the background. This scene is designed to make the audience sheer for them, to see them as saviors, not villains. In another scene, a black character chases a white women trying to force her into marriage. She runs in terror and eventually throws herself off a cliff to escape. The birth of a nation also portrays reconstruction era black politicians as lazy, incompetent and immorals. In one scene, they are shown drinking alcohol, and putting their bare feet up on deskss.
During a government meeting, Grith claimed he didn't make the film to spread hate. He argued it was just a story. But the way he choses to tell taht story reveals the truth. When the birth of a nation was released in 1915, it was a phenomenon. Audiences flocked in theaters with some traveling miles just to see it. It quickly became the highest grossing film of its time, earning what would be equivalent of hundred of millions of dollars. But the film's success wasn't just about ticket sales. It had a ripple effect that would leave a stain on history. The most immediate and chilling fallout was the revival of the Ku Klux Klan. Before the film, the clan largely faded into obscurity. But birth of a nation made them heroic. Inspired by the film, William J Simmons founded a new clan in 1915 just a few months after the film's release. He reportedly used the movie as a recruitment tool showing to the clan's meetings to inspire new members. By the 1920s, the KKK has grown into a powerful nationwide organization with millions of members. They marched openly in cities, staged massive rallies and committed acts of violence and terror while waving the the banner of their so called heroic legacy as shown in the film. Even the president Woodrow Wilson was caught in the controvery. After a private screening at the White House he allegedly praised the film, calling it like writing history with lightning. Though historians debate whether he actually said, this wuote was widely reported at the time, giving the film even more legitimacy in the eyes of its supporters. Despite its controversial legacy, the birth of a nation literally revolutionnized film making settling the standard for cinematic storytelling at over 3 hours. It was a long, it was one of the first film to feature a complex narrative with emotional depth and multiple storylines proving that films could be more than just mindless entertainment, that it could be actual art.
Slaughtered vomit dolls - When you hear the name " Lucifer for Valentine ", it's hard to not picture someone who would make a film called " slaughtered vomit dolls ". Valentine calls herself the pionner of the vomitgore sub genre. A label as strange and grotesque as the films created. The film is a fragmented serie of graphic and surreal images loosely tied together by the main character Angela who is spiraling into madness. And Valentine doesn't shy away from showing extreme violence, often lingering scenes of bodily harm far longer than most viewers could stomach. The film also incorporates an unusual and highly controversial element : real vomiting. Multiple scenes show actors forcing themselves to vomit on cameras, sometimes repeatedly. It's not just a fleeting moment either. It's a central theme of the film appearing over and over. What makes these scenes even more unwatchable is the way they blurred the line between fiction and reality. While the violence is staged, the vomiting is real, creating a very grotesque mix of the truly authentic and the staged. You don't watch actors just pretending to suffer. You see them physically endure something unpleasant.
Guinea Pig - The story of Guinea Pig begins with Hideshi Hino, a manga artist known for his grotesque and shocking illustrations. He is specialized in creating disturbing and surreal comics that explored the darkest corners of human imagination. But drawing wasn't enough. He wanted to bring his twisted visions to life on screen. His idea was very simple : make films that looked so real that people would forget they were watching fiction. The Guinea Pig's serie launched with the devil's experiment in 1985. A short film that sets the tone for what was to come. There wasn't really a plot but rather a serie of increasingly brutal tortures inflicted in a young women. However, the second installment flowers of flash and blood is what cemented Guinea Pig as one of the most infamous serie of all time. Directed by Hideshi Hino himself, he was reportedly inspired by a letter he had received from a fan. The fan claimed to be a murderer and described ing raphic details how he had dismembered his victims. He turned this twisted inspiration into a film that would haunt audiences for years. Flowers of flash and blood depicts a samurai abducting a women, drugging her and destroying her piece by piece. All is shown in excruciating details, using prosthetics, animal parts and gallons to fake blood. The filmmakers made visuals so realistic that even fans accostumed to extreme gore were left shaken. It's like if somehow the filmakers captured the real violence on camera. And that was the point. The director wanted the audience to make them feel like they were witnessing something they shouldn't be watching. What happened in 1991 elevated their notoriety to a whole new level. This was the moment when a Hollywood actor convinced that flower of flesh and blood was a real snuff film, sparked a FBI an investigation that would forever cement this serie's legacy in horror history.
C'est pas l'histoire d'un mec qui fusionne des êtres ensemble, Avec un docteur fou qui kidnappe des gens?
Human centipede - The human centipede is basically about a guy that dreams to fuse lives together and create a human centipede. Doc Heel kidnaps 3 individuals and connects them front fo bottom forcing them to crawl on all fours. There are 2 more human centipedes films being more extreme than the last. Centipede was so extreme that it was for a time banned from the UK and Australia, later released with certain scenes cut.
Censored 11 - It's a group of cartoons created by the Warner Brothers during what's known as the golde age of animation. Some of these cartoons however were so controversial that they were put out of circulation by Warner brothers in 1968, like the cartoons about stereotypes and caricatures of African Americans. " Coal black and the sebben dwarfes" is a famous example. Their characters are often shown as lazy foolish or subserviant playing into harmful tropes that are more comon common in the 1930s and 1940s. Some cartoons of these were inspired by monstral shows.
Threads - Threads follows the story of 2 families, the kemps and the becketts. Ruth Beckett and Jimmy Kemps are a young couple with a life changing decision ahead of them. Ruth is pregnant and both plan to marry. Meanwhile after Soviet invade Iran, USA and USSR are in the brink of WW3. But these people in Sheffield these events feel like a world away though that all changes when diplomacy fails. Sheffield becomes a target and when the attack comes, it's brutal and unrelenting. Fire spread uncontrollably, things disappear in the buclear blast. Chaos, fear, devastating loss, nothing is spared. But real horror lies in what comes next. The film dives deep into the aftermath. Government collapses, food supplies vanish and medical care is non existent as a nuclear winter plunges thee survivors into a fight for survival against starvation, disease and radiation. Ruth survived but she struggled in this unrecognizable world as she has to take care of her newborn child who is born with mental deficiencies due to being exposed to so much radiation. The film premiered on 23rd of September 1984. during a period where the fear of nuclear war as in an all time high. So it sparked some controversy. The movie portrayed the government as disorganized and ineffective leaving the average citizen to fend for themselves. The graphic nature of the film was also controversial. Audiences weren't prepared for that brutality, such as people being burned alive, dying from radiation sickness, biting over scraps of food. It felt so realistic that some viewers reported to feel physically ill.
Zero day - You feel like in a real home video, with no slick editing, no dramatic music and no indication that what you are washing is scripted. It's designed to make it look like it's a real footage with the story following 2 high school seniors, André and Cal, as they document their everyday lives. On surface they seem like average teenagers living average lives. But a darker side emerges when on April 1999, when 2 real life high schoolers being Eric Harris and Dylan Klebold carried out a planned attack at their school, leaving 13 deads and dozens of injured. Eric and Dylan spent months documenting their plans, recording video diaries that came to be known as the basement tapes. These recordings offered a slight inside into their lives and motivation. A mix of anger, alienation and a disturbing desire to leave their mark on the world. Coming back to the movie, André and Cal feel disconnected from the world aroudn them, seeing themselves as outsiders, smarter than their peers and deeply frustrated with society. As the film progresses, they record their thoughts, feelings and preparations in strikingly similar ways of the real life Columbine shooters. Similarities don't just stop them at planning their attack, testing their weapons. André and Cal don't act like stereotyped villains. They act as normals. Just like Eric and Dylan, they go on to destroy their own high school. Zero Day was released in 2003, just 4 years after the real life shooting events. Many critics wondered if it was too soon to create a story so closely resembling to the real events as the film risked glamorizing the shooters by humanizing them.
The exorcist - When it debuted in theaters in 1973, it wasn't just a movie but an event based on the best story selling novel by William Peter Blatty. The film tells the story of a young girl named Regan who becomes possessed by a demon forcing her mother to seek help from 2 Catholic priests. But the horror didn't stopped when the camera stopped rolling. In fact, the most unsetting events happened off screen haunting the production and those who worked on it. The strengeness began almost immediatly. What should have been a normal shoot quickly spired into chaos with a serie of bizzare and unexplained accidents leaving the casting crew shaken. The most infamous was in early production when afire broke out on set overnight the entire sound stage for the McNeil family home where of most the film's indoor scenes were shot was destroyed. The fire forced the crew to hold production for 6 weeks. They rebuilt the set from scratch but strangely amidst the production, one room remained untouched : Regan's bedroom where the exorcism scenes were to take place. Even the crew hardened by years in the business found this detail deeply unsettling. William Friedklin, the director was unevered, reportedly brought a real priest, father Thomas Birmingham to bless the set after the fire. The priest walked through the rebuilt sound stage, sprinkling holy water and performing prayers of protection. However, accidents seemed to still follow the production wherever it went. Ellen Burston who played Regan's mother, Chris Mcneel, suffered a seriou back injury during a stunk gone wrong.
It was in a scene where Regan under demonic possession throws her mother across the room. Burston was rigged to harness and yanked backwards to make it more realistic. But things went wrong and the force of the pull caused Burston to accidentally fall, injuring her lower spine. Her real scream was captured on camera and was left in the final cut of the film. Linda Blair, the actor of Regan, wasn't spared either with the acress enduring 7 injuries that were quite severe by times. In one incident, the mechanical bed used to simulate Regan's violent trashing malfunctioned, causing Blair to suffer a permanent back injury. But the accidents weren't confined to the set. Strange and tragic events seemed to follow the cast and the crew into their personnal lives with one of the worst accidents involving Max Von Sadal, who played father Marin, the priest who leads the exorcism in the film. Shortly after he arrived in New York to film Max received the word that his brother died unepextadly. Other crew and their families suffer inexpected losses during the making of the movie. In total, 9 deaths were linked to people connected with the Exorcist while it was in production, from actors family members to set workers. All this set of tragedy added to thee growing belief that the film was actually cursed.
Human centipede - The human centipede is basically about a guy that dreams to fuse lives together and create a human centipede. Doc Heel kidnaps 3 individuals and connects them front fo bottom forcing them to crawl on all fours. There are 2 more human centipedes films being more extreme than the last. Centipede was so extreme that it was for a time banned from the UK and Australia, later released with certain scenes cut.
Censored 11 - It's a group of cartoons created by the Warner Brothers during what's known as the golde age of animation. Some of these cartoons however were so controversial that they were put out of circulation by Warner brothers in 1968, like the cartoons about stereotypes and caricatures of African Americans. " Coal black and the sebben dwarfes" is a famous example. Their characters are often shown as lazy foolish or subserviant playing into harmful tropes that are more comon common in the 1930s and 1940s. Some cartoons of these were inspired by monstral shows.
Threads - Threads follows the story of 2 families, the kemps and the becketts. Ruth Beckett and Jimmy Kemps are a young couple with a life changing decision ahead of them. Ruth is pregnant and both plan to marry. Meanwhile after Soviet invade Iran, USA and USSR are in the brink of WW3. But these people in Sheffield these events feel like a world away though that all changes when diplomacy fails. Sheffield becomes a target and when the attack comes, it's brutal and unrelenting. Fire spread uncontrollably, things disappear in the buclear blast. Chaos, fear, devastating loss, nothing is spared. But real horror lies in what comes next. The film dives deep into the aftermath. Government collapses, food supplies vanish and medical care is non existent as a nuclear winter plunges thee survivors into a fight for survival against starvation, disease and radiation. Ruth survived but she struggled in this unrecognizable world as she has to take care of her newborn child who is born with mental deficiencies due to being exposed to so much radiation. The film premiered on 23rd of September 1984. during a period where the fear of nuclear war as in an all time high. So it sparked some controversy. The movie portrayed the government as disorganized and ineffective leaving the average citizen to fend for themselves. The graphic nature of the film was also controversial. Audiences weren't prepared for that brutality, such as people being burned alive, dying from radiation sickness, biting over scraps of food. It felt so realistic that some viewers reported to feel physically ill.
Zero day - You feel like in a real home video, with no slick editing, no dramatic music and no indication that what you are washing is scripted. It's designed to make it look like it's a real footage with the story following 2 high school seniors, André and Cal, as they document their everyday lives. On surface they seem like average teenagers living average lives. But a darker side emerges when on April 1999, when 2 real life high schoolers being Eric Harris and Dylan Klebold carried out a planned attack at their school, leaving 13 deads and dozens of injured. Eric and Dylan spent months documenting their plans, recording video diaries that came to be known as the basement tapes. These recordings offered a slight inside into their lives and motivation. A mix of anger, alienation and a disturbing desire to leave their mark on the world. Coming back to the movie, André and Cal feel disconnected from the world aroudn them, seeing themselves as outsiders, smarter than their peers and deeply frustrated with society. As the film progresses, they record their thoughts, feelings and preparations in strikingly similar ways of the real life Columbine shooters. Similarities don't just stop them at planning their attack, testing their weapons. André and Cal don't act like stereotyped villains. They act as normals. Just like Eric and Dylan, they go on to destroy their own high school. Zero Day was released in 2003, just 4 years after the real life shooting events. Many critics wondered if it was too soon to create a story so closely resembling to the real events as the film risked glamorizing the shooters by humanizing them.
The exorcist - When it debuted in theaters in 1973, it wasn't just a movie but an event based on the best story selling novel by William Peter Blatty. The film tells the story of a young girl named Regan who becomes possessed by a demon forcing her mother to seek help from 2 Catholic priests. But the horror didn't stopped when the camera stopped rolling. In fact, the most unsetting events happened off screen haunting the production and those who worked on it. The strengeness began almost immediatly. What should have been a normal shoot quickly spired into chaos with a serie of bizzare and unexplained accidents leaving the casting crew shaken. The most infamous was in early production when afire broke out on set overnight the entire sound stage for the McNeil family home where of most the film's indoor scenes were shot was destroyed. The fire forced the crew to hold production for 6 weeks. They rebuilt the set from scratch but strangely amidst the production, one room remained untouched : Regan's bedroom where the exorcism scenes were to take place. Even the crew hardened by years in the business found this detail deeply unsettling. William Friedklin, the director was unevered, reportedly brought a real priest, father Thomas Birmingham to bless the set after the fire. The priest walked through the rebuilt sound stage, sprinkling holy water and performing prayers of protection. However, accidents seemed to still follow the production wherever it went. Ellen Burston who played Regan's mother, Chris Mcneel, suffered a seriou back injury during a stunk gone wrong.
It was in a scene where Regan under demonic possession throws her mother across the room. Burston was rigged to harness and yanked backwards to make it more realistic. But things went wrong and the force of the pull caused Burston to accidentally fall, injuring her lower spine. Her real scream was captured on camera and was left in the final cut of the film. Linda Blair, the actor of Regan, wasn't spared either with the acress enduring 7 injuries that were quite severe by times. In one incident, the mechanical bed used to simulate Regan's violent trashing malfunctioned, causing Blair to suffer a permanent back injury. But the accidents weren't confined to the set. Strange and tragic events seemed to follow the cast and the crew into their personnal lives with one of the worst accidents involving Max Von Sadal, who played father Marin, the priest who leads the exorcism in the film. Shortly after he arrived in New York to film Max received the word that his brother died unepextadly. Other crew and their families suffer inexpected losses during the making of the movie. In total, 9 deaths were linked to people connected with the Exorcist while it was in production, from actors family members to set workers. All this set of tragedy added to thee growing belief that the film was actually cursed.
Et ils ont fait un deuxième film en plus?
The story goes this way : Charlie Sheen, known at his time for his roles in huge films like platoon and wall street attended a party where someone handed him a copy of flowers and flesh and blood. Curious about the tape, Sheen sat down to watch it. What happened in front of his eyes was one of the most gruesome yet realistic depiction of violence ever put to film. The film's graphic content his Sheen hard, as he saw the samurai systematically destroy the women, he was convinced that it wasn't staged. It looked like a real snuff film. Unlike most horror movies, this didn't have the hallmarks of fiction. No over the top acting, no cheesy effects, no escape for the victim. Sheen couldn't shake the feeling that what he had seen was genuine. So he contacted the FBI, reporting the film as a potential evidence of real murder. This sets a chain of events that would brought Guinea Pig into a spot light they never seen before. The FBI taking this complaint seriously launched an investigation into the film, its creators. And whether or not it depicted an actual crime. As the investigation unfolded, the authorities, Hino and his team were forced to demonstrate how they create the film disturbingly realistic effects. They showed behind the scenes footage and explain the techniques they used to simulate the dismemberments. The animal parts used in some scenes were revealed and prosphetics were displayed as a proof that everything was staged. Eventually the FBI concluded that the film was indeed fake and unsettling convincing piece of art but art nonetheless. However the investigation made the serie far more famous that it should have been.
Level 5 of the iceberg, you find films like Snuff 102 - It's about a horrifying world of snuff films. The movie follows a journalist investigating the underground world of these snuff videos that show real murder and torture. Her search for the truth leads her to a deranged killer who forces her to witness and even become part of the atrocities he commits. However, the film interwined her story with footage of 3 nameless victims, showing their brutal treatment and ultimate demise all on film. This isn't just a story about a journalist uncovering a history. It's a film designed to make you feel uncomfortable, confused and even guilty for watching it, as the director Mariano Peralta really blurs the lines between fiction and reality.Unlike most horror films that make it clear that what you are seeing is fake, snuff 102 doesn't give you that comfort. It uses a mix of stage violence and real life footage including scenes of real autopsies and real animal cruelty. To make everything feel disturbingly feel real, this deliberate choice forces viewers to constantly question it what they're watching is actually real or fake. The film doesn't offer much in the way of traditional storytelling either as it's basically built off the back ofextremely shocking and gory footage.
There is no clear resolution, no satisfying character arcs and no relief from the horrors it shows. Even the editing feels unhinged with jarring cuts and overlapping sounds. In a 2013 interview, the director said that the film was never meant to be simple shock value. Instead, it was designed as a harsh critique of ociety's growing desensitization to violence. He belived that by confronting audiences with deeply uncomfortable imagery, he could provoke critical thought and forcer viewers to reflect on why there would even ever watch the film Snuff 102. When discussing on how he made the film, he acknowledged he had to walk between realistic portrayals and maintaining ethical film making practices. He clarified that while the film does incorporate real footage, specifically animal cruelty he saw from the internet, he soured from the internet; every human torture and murder scene was carefully staged using special effects in actors. Probably for the first time in film history, the goal was to craft a deeply disturbing experience that left viewers questioning what was real and what was not, and more importantly, why they were even watching the film.
Tumbling Doll of Flesh - It's in Japan, 1998, a time when the country's film industry is thriving with creativity but also experimenting with its dreams. The premise of tumbling do of flesh seems straightforward. It begins as a low bduget adult movie focusing on a man and a women participating in what appears to be a consensual adult film shoot. The tone is mundane which seems that are slow, quiet and uneventful. But as the minutes tick by, a subtle unease begins to creep in. Something feels off, not just in the performances but in the very atmosphere of the film. Almost without warning, the story takes a jarry turn with the male acotr beginning to unleash horrifying violence on the women. What starts as a consensual act devolves into an extended scene of torment. While the camera continues to roll, the violence is disturbingly realistic. No stilized, exagerrated bur rather slow, methodical and deeply unsettling. The camera lingers on the women suffering, refusing to look away, forcing the audience to confront every second of her pain. Unlike other extreme films, Tubling Doll of Flash doesn't offer any clear context or explanation for the violence. There is no character development, zero backstory, no justification, just pure shock value, leaving you physically sick. The director Tamakichi Anaru wasn't interested in creating a typical movie. He wanted to explore what happens when you strip away all safety nets, leaving only raw, unfiltered human emotion and suffering. His vision for Tumbling Doll of Flash was a film that would feel as real as possible. So real that he was questionned by viewers whether or not they were watching fiction or something far darker. Just the title of the movie is hauntingly appropriate. It reflects the women's dehumanization throughout the film as she is reduced to little more than an object for the man's cruelty.
Faces of Death - The story begins with John Allan Schwarz, a young filmmaker with a simple but daring idea. He wanted a film that explored humanity's darkest fear : death. So he made a film that looked like a documentary, filled with real life horrors and unsettling footages. At the time of the film there was a growing curiosity about taboo subjects in media with people becoming fascinated by things that were considered too shoking and forbidden. John Alan Schwartz saw this as an opportunity. He developed a concept for his movie, as a mockumentary, a film that looked like a real documentary but blends truth with fiction. His vision was to create something that felt authentic, something making the viwers question what they have just seen. So the director and his team gathered a mix of content, using a combination of staged scenes, authentic news footage and even graphic real life clips of death to create a film that feels disturbingly real. At a point you might watch someone perform an autopsy and next scene you would see a staged execution that would look just as believable. The combination of the real and the fake made it almost impossible to tell what was real and what was not. But Swhcarz added a layer that would make the film even more unsettling.
A narrator, a fictional pathologist named Dr Francis B Gross was create to guide the viewers through he movie. His calm, clinical tone made the horrifying images on screen feel even more shockign. One of the most infamous scene involves a dining room of people and a live monkey. In the scene, diners gather around a table with a hole in the center. A monkey is placed inside. the hole with only its head visible. The diners then take turn striking the monkey with small mallets before eating what becomes exposed. The twist was that it was completly staged. The monkey was a prop and the brains were actually made from a mixture of gelatin and food coloring. We later have a shot of a women leaning out the window of an apartment building. The entire thing is on fire and she has no escape. She stares at the ground, knowing the fall is too high to survive. But she has no choice. We then see her jump. The fall and death of the women is this time in fact entirely real. However the aftermath with the close ups of her lifeless body on the ground was completly fabricated by the filmmakers. About 60% of the film uses real graphic and horrible footage while 40% of it is completly staged though you are not told during the film which are and which are not.
The story goes this way : Charlie Sheen, known at his time for his roles in huge films like platoon and wall street attended a party where someone handed him a copy of flowers and flesh and blood. Curious about the tape, Sheen sat down to watch it. What happened in front of his eyes was one of the most gruesome yet realistic depiction of violence ever put to film. The film's graphic content his Sheen hard, as he saw the samurai systematically destroy the women, he was convinced that it wasn't staged. It looked like a real snuff film. Unlike most horror movies, this didn't have the hallmarks of fiction. No over the top acting, no cheesy effects, no escape for the victim. Sheen couldn't shake the feeling that what he had seen was genuine. So he contacted the FBI, reporting the film as a potential evidence of real murder. This sets a chain of events that would brought Guinea Pig into a spot light they never seen before. The FBI taking this complaint seriously launched an investigation into the film, its creators. And whether or not it depicted an actual crime. As the investigation unfolded, the authorities, Hino and his team were forced to demonstrate how they create the film disturbingly realistic effects. They showed behind the scenes footage and explain the techniques they used to simulate the dismemberments. The animal parts used in some scenes were revealed and prosphetics were displayed as a proof that everything was staged. Eventually the FBI concluded that the film was indeed fake and unsettling convincing piece of art but art nonetheless. However the investigation made the serie far more famous that it should have been.
Level 5 of the iceberg, you find films like Snuff 102 - It's about a horrifying world of snuff films. The movie follows a journalist investigating the underground world of these snuff videos that show real murder and torture. Her search for the truth leads her to a deranged killer who forces her to witness and even become part of the atrocities he commits. However, the film interwined her story with footage of 3 nameless victims, showing their brutal treatment and ultimate demise all on film. This isn't just a story about a journalist uncovering a history. It's a film designed to make you feel uncomfortable, confused and even guilty for watching it, as the director Mariano Peralta really blurs the lines between fiction and reality.Unlike most horror films that make it clear that what you are seeing is fake, snuff 102 doesn't give you that comfort. It uses a mix of stage violence and real life footage including scenes of real autopsies and real animal cruelty. To make everything feel disturbingly feel real, this deliberate choice forces viewers to constantly question it what they're watching is actually real or fake. The film doesn't offer much in the way of traditional storytelling either as it's basically built off the back ofextremely shocking and gory footage.
There is no clear resolution, no satisfying character arcs and no relief from the horrors it shows. Even the editing feels unhinged with jarring cuts and overlapping sounds. In a 2013 interview, the director said that the film was never meant to be simple shock value. Instead, it was designed as a harsh critique of ociety's growing desensitization to violence. He belived that by confronting audiences with deeply uncomfortable imagery, he could provoke critical thought and forcer viewers to reflect on why there would even ever watch the film Snuff 102. When discussing on how he made the film, he acknowledged he had to walk between realistic portrayals and maintaining ethical film making practices. He clarified that while the film does incorporate real footage, specifically animal cruelty he saw from the internet, he soured from the internet; every human torture and murder scene was carefully staged using special effects in actors. Probably for the first time in film history, the goal was to craft a deeply disturbing experience that left viewers questioning what was real and what was not, and more importantly, why they were even watching the film.
Tumbling Doll of Flesh - It's in Japan, 1998, a time when the country's film industry is thriving with creativity but also experimenting with its dreams. The premise of tumbling do of flesh seems straightforward. It begins as a low bduget adult movie focusing on a man and a women participating in what appears to be a consensual adult film shoot. The tone is mundane which seems that are slow, quiet and uneventful. But as the minutes tick by, a subtle unease begins to creep in. Something feels off, not just in the performances but in the very atmosphere of the film. Almost without warning, the story takes a jarry turn with the male acotr beginning to unleash horrifying violence on the women. What starts as a consensual act devolves into an extended scene of torment. While the camera continues to roll, the violence is disturbingly realistic. No stilized, exagerrated bur rather slow, methodical and deeply unsettling. The camera lingers on the women suffering, refusing to look away, forcing the audience to confront every second of her pain. Unlike other extreme films, Tubling Doll of Flash doesn't offer any clear context or explanation for the violence. There is no character development, zero backstory, no justification, just pure shock value, leaving you physically sick. The director Tamakichi Anaru wasn't interested in creating a typical movie. He wanted to explore what happens when you strip away all safety nets, leaving only raw, unfiltered human emotion and suffering. His vision for Tumbling Doll of Flash was a film that would feel as real as possible. So real that he was questionned by viewers whether or not they were watching fiction or something far darker. Just the title of the movie is hauntingly appropriate. It reflects the women's dehumanization throughout the film as she is reduced to little more than an object for the man's cruelty.
Faces of Death - The story begins with John Allan Schwarz, a young filmmaker with a simple but daring idea. He wanted a film that explored humanity's darkest fear : death. So he made a film that looked like a documentary, filled with real life horrors and unsettling footages. At the time of the film there was a growing curiosity about taboo subjects in media with people becoming fascinated by things that were considered too shoking and forbidden. John Alan Schwartz saw this as an opportunity. He developed a concept for his movie, as a mockumentary, a film that looked like a real documentary but blends truth with fiction. His vision was to create something that felt authentic, something making the viwers question what they have just seen. So the director and his team gathered a mix of content, using a combination of staged scenes, authentic news footage and even graphic real life clips of death to create a film that feels disturbingly real. At a point you might watch someone perform an autopsy and next scene you would see a staged execution that would look just as believable. The combination of the real and the fake made it almost impossible to tell what was real and what was not. But Swhcarz added a layer that would make the film even more unsettling.
A narrator, a fictional pathologist named Dr Francis B Gross was create to guide the viewers through he movie. His calm, clinical tone made the horrifying images on screen feel even more shockign. One of the most infamous scene involves a dining room of people and a live monkey. In the scene, diners gather around a table with a hole in the center. A monkey is placed inside. the hole with only its head visible. The diners then take turn striking the monkey with small mallets before eating what becomes exposed. The twist was that it was completly staged. The monkey was a prop and the brains were actually made from a mixture of gelatin and food coloring. We later have a shot of a women leaning out the window of an apartment building. The entire thing is on fire and she has no escape. She stares at the ground, knowing the fall is too high to survive. But she has no choice. We then see her jump. The fall and death of the women is this time in fact entirely real. However the aftermath with the close ups of her lifeless body on the ground was completly fabricated by the filmmakers. About 60% of the film uses real graphic and horrible footage while 40% of it is completly staged though you are not told during the film which are and which are not.
Et le pire c'est qu'il existe des films encore plus inquiétants.
On level 4 of the iceberg there are movies like Mai Chan's daily life. - It follows a young women's life, who secures a life and made position at a secluded mansion. At first everything appears normal with polish floors, pristine, french maid outfits and the promise of a stable life away from the chaos of the outside world. But as the character begings her work, she realizes there is nothing ordinary about this place. The other maids like Miao are here to server. But their roles extend far beyond cleaning when taking orders. They are subjected to their employers perverse and violent fantasies, forced into acts of submission and degradation. Among the 3 maids, one stands out, possessing an ability : healing from any injury no matter how severe it is. Immortality might be a gift, in her cuse this is her curse. Her employers exploit her regenerative powers to in the most grotesque ways imaginable. Day after day, Mai becomes the unwilling centerpiece of their desire, enduring acts of torture and violence that are all shown to the viewers in graphic details. At first, Miyako is horrified watching Mai endure these endless pain with no relief. It's a spectable that should repel anyone but this mansion has a way of warping those those who live within these walls. And slowly, Miyako's resistance fails under pressure. From her employers she is persuaded to take part in their cruelty inflicted on Mai. One of the most infamous sequences involves acts of cannibalism with her abusers literlaly talking pieces out of her, consuming them as though they were a disposable source of endless food. The film doesn't spare you any of the details.
Every shot and every scene become hard to get trough. The grotesque imagery is aired with a nonchalance. The characters around her don't treat her with pity and compassion. They see her as an object for their entertainment with the dehumanization of Mai being central to the film's chock factor. When the film was released, it was immediatly controversial. Even in a country like Japan, known for its tolerance of extreme entertainment, especially when it comes to video games, the film was met with outrage, discussed. Outside of Japan, the reaction was even more severe. The film was either banned either heavily censored in multiple countries, deemed too graphic and too disturbing for public consumption.
Birth of a nation. - It first the movie looks like an epic tale of the American civil war and it's aftermatch. But if you actually watch it, it's not just telling a story but rather spreading a message and a dangerous one at that. The film is divided into 2 parts. The first half shows the Civil War and its devastating impact on 2 white families. The stoneman from the north and the Camerons from the south.It betrays their struggles, their heartbreaks and their losses during the war. This part of the film is dramatic, emotionnal and carefully crafted to draw you though it's easy to forget what's coming next. The second half is where the true intentions of the film become clear. It focuses on reconstruction, the period after the Civil War when the South was being rebuilt. The director of the film, D. W. Griffith, doesn't show this as a time of progress. Instead, he portrays it as a nightmare. Black characters played by white actors in black paint are shown as corrupt, violent and incapable of governing. THey are depicted as predators out to destroy white Southern society. One of the most infamous parts of the film is its portrayal of the Ku Klux Klan. The director doesn't show the clan as the violent, racist group that we know today. Instead they are painted as noble heros, riding to save the south from the chaos caused by black people. In one dramatic scene, the clan charges to the rescue of a white family with dramatic music swelling in the background. This scene is designed to make the audience sheer for them, to see them as saviors, not villains. In another scene, a black character chases a white women trying to force her into marriage. She runs in terror and eventually throws herself off a cliff to escape. The birth of a nation also portrays reconstruction era black politicians as lazy, incompetent and immorals. In one scene, they are shown drinking alcohol, and putting their bare feet up on deskss.
During a government meeting, Grith claimed he didn't make the film to spread hate. He argued it was just a story. But the way he choses to tell taht story reveals the truth. When the birth of a nation was released in 1915, it was a phenomenon. Audiences flocked in theaters with some traveling miles just to see it. It quickly became the highest grossing film of its time, earning what would be equivalent of hundred of millions of dollars. But the film's success wasn't just about ticket sales. It had a ripple effect that would leave a stain on history. The most immediate and chilling fallout was the revival of the Ku Klux Klan. Before the film, the clan largely faded into obscurity. But birth of a nation made them heroic. Inspired by the film, William J Simmons founded a new clan in 1915 just a few months after the film's release. He reportedly used the movie as a recruitment tool showing to the clan's meetings to inspire new members. By the 1920s, the KKK has grown into a powerful nationwide organization with millions of members. They marched openly in cities, staged massive rallies and committed acts of violence and terror while waving the the banner of their so called heroic legacy as shown in the film. Even the president Woodrow Wilson was caught in the controvery. After a private screening at the White House he allegedly praised the film, calling it like writing history with lightning. Though historians debate whether he actually said, this wuote was widely reported at the time, giving the film even more legitimacy in the eyes of its supporters. Despite its controversial legacy, the birth of a nation literally revolutionnized film making settling the standard for cinematic storytelling at over 3 hours. It was a long, it was one of the first film to feature a complex narrative with emotional depth and multiple storylines proving that films could be more than just mindless entertainment, that it could be actual art.
Slaughtered vomit dolls - When you hear the name " Lucifer for Valentine ", it's hard to not picture someone who would make a film called " slaughtered vomit dolls ". Valentine calls herself the pionner of the vomitgore sub genre. A label as strange and grotesque as the films created. The film is a fragmented serie of graphic and surreal images loosely tied together by the main character Angela who is spiraling into madness. And Valentine doesn't shy away from showing extreme violence, often lingering scenes of bodily harm far longer than most viewers could stomach. The film also incorporates an unusual and highly controversial element : real vomiting. Multiple scenes show actors forcing themselves to vomit on cameras, sometimes repeatedly. It's not just a fleeting moment either. It's a central theme of the film appearing over and over. What makes these scenes even more unwatchable is the way they blurred the line between fiction and reality. While the violence is staged, the vomiting is real, creating a very grotesque mix of the truly authentic and the staged. You don't watch actors just pretending to suffer. You see them physically endure something unpleasant.
Guinea Pig - The story of Guinea Pig begins with Hideshi Hino, a manga artist known for his grotesque and shocking illustrations. He is specialized in creating disturbing and surreal comics that explored the darkest corners of human imagination. But drawing wasn't enough. He wanted to bring his twisted visions to life on screen. His idea was very simple : make films that looked so real that people would forget they were watching fiction. The Guinea Pig's serie launched with the devil's experiment in 1985. A short film that sets the tone for what was to come. There wasn't really a plot but rather a serie of increasingly brutal tortures inflicted in a young women. However, the second installment flowers of flash and blood is what cemented Guinea Pig as one of the most infamous serie of all time. Directed by Hideshi Hino himself, he was reportedly inspired by a letter he had received from a fan. The fan claimed to be a murderer and described ing raphic details how he had dismembered his victims. He turned this twisted inspiration into a film that would haunt audiences for years. Flowers of flash and blood depicts a samurai abducting a women, drugging her and destroying her piece by piece. All is shown in excruciating details, using prosthetics, animal parts and gallons to fake blood. The filmmakers made visuals so realistic that even fans accostumed to extreme gore were left shaken. It's like if somehow the filmakers captured the real violence on camera. And that was the point. The director wanted the audience to make them feel like they were witnessing something they shouldn't be watching. What happened in 1991 elevated their notoriety to a whole new level. This was the moment when a Hollywood actor convinced that flower of flesh and blood was a real snuff film, sparked a FBI an investigation that would forever cement this serie's legacy in horror history.
On level 4 of the iceberg there are movies like Mai Chan's daily life. - It follows a young women's life, who secures a life and made position at a secluded mansion. At first everything appears normal with polish floors, pristine, french maid outfits and the promise of a stable life away from the chaos of the outside world. But as the character begings her work, she realizes there is nothing ordinary about this place. The other maids like Miao are here to server. But their roles extend far beyond cleaning when taking orders. They are subjected to their employers perverse and violent fantasies, forced into acts of submission and degradation. Among the 3 maids, one stands out, possessing an ability : healing from any injury no matter how severe it is. Immortality might be a gift, in her cuse this is her curse. Her employers exploit her regenerative powers to in the most grotesque ways imaginable. Day after day, Mai becomes the unwilling centerpiece of their desire, enduring acts of torture and violence that are all shown to the viewers in graphic details. At first, Miyako is horrified watching Mai endure these endless pain with no relief. It's a spectable that should repel anyone but this mansion has a way of warping those those who live within these walls. And slowly, Miyako's resistance fails under pressure. From her employers she is persuaded to take part in their cruelty inflicted on Mai. One of the most infamous sequences involves acts of cannibalism with her abusers literlaly talking pieces out of her, consuming them as though they were a disposable source of endless food. The film doesn't spare you any of the details.
Every shot and every scene become hard to get trough. The grotesque imagery is aired with a nonchalance. The characters around her don't treat her with pity and compassion. They see her as an object for their entertainment with the dehumanization of Mai being central to the film's chock factor. When the film was released, it was immediatly controversial. Even in a country like Japan, known for its tolerance of extreme entertainment, especially when it comes to video games, the film was met with outrage, discussed. Outside of Japan, the reaction was even more severe. The film was either banned either heavily censored in multiple countries, deemed too graphic and too disturbing for public consumption.
Birth of a nation. - It first the movie looks like an epic tale of the American civil war and it's aftermatch. But if you actually watch it, it's not just telling a story but rather spreading a message and a dangerous one at that. The film is divided into 2 parts. The first half shows the Civil War and its devastating impact on 2 white families. The stoneman from the north and the Camerons from the south.It betrays their struggles, their heartbreaks and their losses during the war. This part of the film is dramatic, emotionnal and carefully crafted to draw you though it's easy to forget what's coming next. The second half is where the true intentions of the film become clear. It focuses on reconstruction, the period after the Civil War when the South was being rebuilt. The director of the film, D. W. Griffith, doesn't show this as a time of progress. Instead, he portrays it as a nightmare. Black characters played by white actors in black paint are shown as corrupt, violent and incapable of governing. THey are depicted as predators out to destroy white Southern society. One of the most infamous parts of the film is its portrayal of the Ku Klux Klan. The director doesn't show the clan as the violent, racist group that we know today. Instead they are painted as noble heros, riding to save the south from the chaos caused by black people. In one dramatic scene, the clan charges to the rescue of a white family with dramatic music swelling in the background. This scene is designed to make the audience sheer for them, to see them as saviors, not villains. In another scene, a black character chases a white women trying to force her into marriage. She runs in terror and eventually throws herself off a cliff to escape. The birth of a nation also portrays reconstruction era black politicians as lazy, incompetent and immorals. In one scene, they are shown drinking alcohol, and putting their bare feet up on deskss.
During a government meeting, Grith claimed he didn't make the film to spread hate. He argued it was just a story. But the way he choses to tell taht story reveals the truth. When the birth of a nation was released in 1915, it was a phenomenon. Audiences flocked in theaters with some traveling miles just to see it. It quickly became the highest grossing film of its time, earning what would be equivalent of hundred of millions of dollars. But the film's success wasn't just about ticket sales. It had a ripple effect that would leave a stain on history. The most immediate and chilling fallout was the revival of the Ku Klux Klan. Before the film, the clan largely faded into obscurity. But birth of a nation made them heroic. Inspired by the film, William J Simmons founded a new clan in 1915 just a few months after the film's release. He reportedly used the movie as a recruitment tool showing to the clan's meetings to inspire new members. By the 1920s, the KKK has grown into a powerful nationwide organization with millions of members. They marched openly in cities, staged massive rallies and committed acts of violence and terror while waving the the banner of their so called heroic legacy as shown in the film. Even the president Woodrow Wilson was caught in the controvery. After a private screening at the White House he allegedly praised the film, calling it like writing history with lightning. Though historians debate whether he actually said, this wuote was widely reported at the time, giving the film even more legitimacy in the eyes of its supporters. Despite its controversial legacy, the birth of a nation literally revolutionnized film making settling the standard for cinematic storytelling at over 3 hours. It was a long, it was one of the first film to feature a complex narrative with emotional depth and multiple storylines proving that films could be more than just mindless entertainment, that it could be actual art.
Slaughtered vomit dolls - When you hear the name " Lucifer for Valentine ", it's hard to not picture someone who would make a film called " slaughtered vomit dolls ". Valentine calls herself the pionner of the vomitgore sub genre. A label as strange and grotesque as the films created. The film is a fragmented serie of graphic and surreal images loosely tied together by the main character Angela who is spiraling into madness. And Valentine doesn't shy away from showing extreme violence, often lingering scenes of bodily harm far longer than most viewers could stomach. The film also incorporates an unusual and highly controversial element : real vomiting. Multiple scenes show actors forcing themselves to vomit on cameras, sometimes repeatedly. It's not just a fleeting moment either. It's a central theme of the film appearing over and over. What makes these scenes even more unwatchable is the way they blurred the line between fiction and reality. While the violence is staged, the vomiting is real, creating a very grotesque mix of the truly authentic and the staged. You don't watch actors just pretending to suffer. You see them physically endure something unpleasant.
Guinea Pig - The story of Guinea Pig begins with Hideshi Hino, a manga artist known for his grotesque and shocking illustrations. He is specialized in creating disturbing and surreal comics that explored the darkest corners of human imagination. But drawing wasn't enough. He wanted to bring his twisted visions to life on screen. His idea was very simple : make films that looked so real that people would forget they were watching fiction. The Guinea Pig's serie launched with the devil's experiment in 1985. A short film that sets the tone for what was to come. There wasn't really a plot but rather a serie of increasingly brutal tortures inflicted in a young women. However, the second installment flowers of flash and blood is what cemented Guinea Pig as one of the most infamous serie of all time. Directed by Hideshi Hino himself, he was reportedly inspired by a letter he had received from a fan. The fan claimed to be a murderer and described ing raphic details how he had dismembered his victims. He turned this twisted inspiration into a film that would haunt audiences for years. Flowers of flash and blood depicts a samurai abducting a women, drugging her and destroying her piece by piece. All is shown in excruciating details, using prosthetics, animal parts and gallons to fake blood. The filmmakers made visuals so realistic that even fans accostumed to extreme gore were left shaken. It's like if somehow the filmakers captured the real violence on camera. And that was the point. The director wanted the audience to make them feel like they were witnessing something they shouldn't be watching. What happened in 1991 elevated their notoriety to a whole new level. This was the moment when a Hollywood actor convinced that flower of flesh and blood was a real snuff film, sparked a FBI an investigation that would forever cement this serie's legacy in horror history.
Et ils ont fait un deuxième film en plus?
The story goes this way : Charlie Sheen, known at his time for his roles in huge films like platoon and wall street attended a party where someone handed him a copy of flowers and flesh and blood. Curious about the tape, Sheen sat down to watch it. What happened in front of his eyes was one of the most gruesome yet realistic depiction of violence ever put to film. The film's graphic content his Sheen hard, as he saw the samurai systematically destroy the women, he was convinced that it wasn't staged. It looked like a real snuff film. Unlike most horror movies, this didn't have the hallmarks of fiction. No over the top acting, no cheesy effects, no escape for the victim. Sheen couldn't shake the feeling that what he had seen was genuine. So he contacted the FBI, reporting the film as a potential evidence of real murder. This sets a chain of events that would brought Guinea Pig into a spot light they never seen before. The FBI taking this complaint seriously launched an investigation into the film, its creators. And whether or not it depicted an actual crime. As the investigation unfolded, the authorities, Hino and his team were forced to demonstrate how they create the film disturbingly realistic effects. They showed behind the scenes footage and explain the techniques they used to simulate the dismemberments. The animal parts used in some scenes were revealed and prosphetics were displayed as a proof that everything was staged. Eventually the FBI concluded that the film was indeed fake and unsettling convincing piece of art but art nonetheless. However the investigation made the serie far more famous that it should have been.
Level 5 of the iceberg, you find films like Snuff 102 - It's about a horrifying world of snuff films. The movie follows a journalist investigating the underground world of these snuff videos that show real murder and torture. Her search for the truth leads her to a deranged killer who forces her to witness and even become part of the atrocities he commits. However, the film interwined her story with footage of 3 nameless victims, showing their brutal treatment and ultimate demise all on film. This isn't just a story about a journalist uncovering a history. It's a film designed to make you feel uncomfortable, confused and even guilty for watching it, as the director Mariano Peralta really blurs the lines between fiction and reality.Unlike most horror films that make it clear that what you are seeing is fake, snuff 102 doesn't give you that comfort. It uses a mix of stage violence and real life footage including scenes of real autopsies and real animal cruelty. To make everything feel disturbingly feel real, this deliberate choice forces viewers to constantly question it what they're watching is actually real or fake. The film doesn't offer much in the way of traditional storytelling either as it's basically built off the back ofextremely shocking and gory footage.
There is no clear resolution, no satisfying character arcs and no relief from the horrors it shows. Even the editing feels unhinged with jarring cuts and overlapping sounds. In a 2013 interview, the director said that the film was never meant to be simple shock value. Instead, it was designed as a harsh critique of ociety's growing desensitization to violence. He belived that by confronting audiences with deeply uncomfortable imagery, he could provoke critical thought and forcer viewers to reflect on why there would even ever watch the film Snuff 102. When discussing on how he made the film, he acknowledged he had to walk between realistic portrayals and maintaining ethical film making practices. He clarified that while the film does incorporate real footage, specifically animal cruelty he saw from the internet, he soured from the internet; every human torture and murder scene was carefully staged using special effects in actors. Probably for the first time in film history, the goal was to craft a deeply disturbing experience that left viewers questioning what was real and what was not, and more importantly, why they were even watching the film.
Tumbling Doll of Flesh - It's in Japan, 1998, a time when the country's film industry is thriving with creativity but also experimenting with its dreams. The premise of tumbling do of flesh seems straightforward. It begins as a low bduget adult movie focusing on a man and a women participating in what appears to be a consensual adult film shoot. The tone is mundane which seems that are slow, quiet and uneventful. But as the minutes tick by, a subtle unease begins to creep in. Something feels off, not just in the performances but in the very atmosphere of the film. Almost without warning, the story takes a jarry turn with the male acotr beginning to unleash horrifying violence on the women. What starts as a consensual act devolves into an extended scene of torment. While the camera continues to roll, the violence is disturbingly realistic. No stilized, exagerrated bur rather slow, methodical and deeply unsettling. The camera lingers on the women suffering, refusing to look away, forcing the audience to confront every second of her pain. Unlike other extreme films, Tubling Doll of Flash doesn't offer any clear context or explanation for the violence. There is no character development, zero backstory, no justification, just pure shock value, leaving you physically sick. The director Tamakichi Anaru wasn't interested in creating a typical movie. He wanted to explore what happens when you strip away all safety nets, leaving only raw, unfiltered human emotion and suffering. His vision for Tumbling Doll of Flash was a film that would feel as real as possible. So real that he was questionned by viewers whether or not they were watching fiction or something far darker. Just the title of the movie is hauntingly appropriate. It reflects the women's dehumanization throughout the film as she is reduced to little more than an object for the man's cruelty.
Faces of Death - The story begins with John Allan Schwarz, a young filmmaker with a simple but daring idea. He wanted a film that explored humanity's darkest fear : death. So he made a film that looked like a documentary, filled with real life horrors and unsettling footages. At the time of the film there was a growing curiosity about taboo subjects in media with people becoming fascinated by things that were considered too shoking and forbidden. John Alan Schwartz saw this as an opportunity. He developed a concept for his movie, as a mockumentary, a film that looked like a real documentary but blends truth with fiction. His vision was to create something that felt authentic, something making the viwers question what they have just seen. So the director and his team gathered a mix of content, using a combination of staged scenes, authentic news footage and even graphic real life clips of death to create a film that feels disturbingly real. At a point you might watch someone perform an autopsy and next scene you would see a staged execution that would look just as believable. The combination of the real and the fake made it almost impossible to tell what was real and what was not. But Swhcarz added a layer that would make the film even more unsettling.
A narrator, a fictional pathologist named Dr Francis B Gross was create to guide the viewers through he movie. His calm, clinical tone made the horrifying images on screen feel even more shockign. One of the most infamous scene involves a dining room of people and a live monkey. In the scene, diners gather around a table with a hole in the center. A monkey is placed inside. the hole with only its head visible. The diners then take turn striking the monkey with small mallets before eating what becomes exposed. The twist was that it was completly staged. The monkey was a prop and the brains were actually made from a mixture of gelatin and food coloring. We later have a shot of a women leaning out the window of an apartment building. The entire thing is on fire and she has no escape. She stares at the ground, knowing the fall is too high to survive. But she has no choice. We then see her jump. The fall and death of the women is this time in fact entirely real. However the aftermath with the close ups of her lifeless body on the ground was completly fabricated by the filmmakers. About 60% of the film uses real graphic and horrible footage while 40% of it is completly staged though you are not told during the film which are and which are not.
The story goes this way : Charlie Sheen, known at his time for his roles in huge films like platoon and wall street attended a party where someone handed him a copy of flowers and flesh and blood. Curious about the tape, Sheen sat down to watch it. What happened in front of his eyes was one of the most gruesome yet realistic depiction of violence ever put to film. The film's graphic content his Sheen hard, as he saw the samurai systematically destroy the women, he was convinced that it wasn't staged. It looked like a real snuff film. Unlike most horror movies, this didn't have the hallmarks of fiction. No over the top acting, no cheesy effects, no escape for the victim. Sheen couldn't shake the feeling that what he had seen was genuine. So he contacted the FBI, reporting the film as a potential evidence of real murder. This sets a chain of events that would brought Guinea Pig into a spot light they never seen before. The FBI taking this complaint seriously launched an investigation into the film, its creators. And whether or not it depicted an actual crime. As the investigation unfolded, the authorities, Hino and his team were forced to demonstrate how they create the film disturbingly realistic effects. They showed behind the scenes footage and explain the techniques they used to simulate the dismemberments. The animal parts used in some scenes were revealed and prosphetics were displayed as a proof that everything was staged. Eventually the FBI concluded that the film was indeed fake and unsettling convincing piece of art but art nonetheless. However the investigation made the serie far more famous that it should have been.
Level 5 of the iceberg, you find films like Snuff 102 - It's about a horrifying world of snuff films. The movie follows a journalist investigating the underground world of these snuff videos that show real murder and torture. Her search for the truth leads her to a deranged killer who forces her to witness and even become part of the atrocities he commits. However, the film interwined her story with footage of 3 nameless victims, showing their brutal treatment and ultimate demise all on film. This isn't just a story about a journalist uncovering a history. It's a film designed to make you feel uncomfortable, confused and even guilty for watching it, as the director Mariano Peralta really blurs the lines between fiction and reality.Unlike most horror films that make it clear that what you are seeing is fake, snuff 102 doesn't give you that comfort. It uses a mix of stage violence and real life footage including scenes of real autopsies and real animal cruelty. To make everything feel disturbingly feel real, this deliberate choice forces viewers to constantly question it what they're watching is actually real or fake. The film doesn't offer much in the way of traditional storytelling either as it's basically built off the back ofextremely shocking and gory footage.
There is no clear resolution, no satisfying character arcs and no relief from the horrors it shows. Even the editing feels unhinged with jarring cuts and overlapping sounds. In a 2013 interview, the director said that the film was never meant to be simple shock value. Instead, it was designed as a harsh critique of ociety's growing desensitization to violence. He belived that by confronting audiences with deeply uncomfortable imagery, he could provoke critical thought and forcer viewers to reflect on why there would even ever watch the film Snuff 102. When discussing on how he made the film, he acknowledged he had to walk between realistic portrayals and maintaining ethical film making practices. He clarified that while the film does incorporate real footage, specifically animal cruelty he saw from the internet, he soured from the internet; every human torture and murder scene was carefully staged using special effects in actors. Probably for the first time in film history, the goal was to craft a deeply disturbing experience that left viewers questioning what was real and what was not, and more importantly, why they were even watching the film.
Tumbling Doll of Flesh - It's in Japan, 1998, a time when the country's film industry is thriving with creativity but also experimenting with its dreams. The premise of tumbling do of flesh seems straightforward. It begins as a low bduget adult movie focusing on a man and a women participating in what appears to be a consensual adult film shoot. The tone is mundane which seems that are slow, quiet and uneventful. But as the minutes tick by, a subtle unease begins to creep in. Something feels off, not just in the performances but in the very atmosphere of the film. Almost without warning, the story takes a jarry turn with the male acotr beginning to unleash horrifying violence on the women. What starts as a consensual act devolves into an extended scene of torment. While the camera continues to roll, the violence is disturbingly realistic. No stilized, exagerrated bur rather slow, methodical and deeply unsettling. The camera lingers on the women suffering, refusing to look away, forcing the audience to confront every second of her pain. Unlike other extreme films, Tubling Doll of Flash doesn't offer any clear context or explanation for the violence. There is no character development, zero backstory, no justification, just pure shock value, leaving you physically sick. The director Tamakichi Anaru wasn't interested in creating a typical movie. He wanted to explore what happens when you strip away all safety nets, leaving only raw, unfiltered human emotion and suffering. His vision for Tumbling Doll of Flash was a film that would feel as real as possible. So real that he was questionned by viewers whether or not they were watching fiction or something far darker. Just the title of the movie is hauntingly appropriate. It reflects the women's dehumanization throughout the film as she is reduced to little more than an object for the man's cruelty.
Faces of Death - The story begins with John Allan Schwarz, a young filmmaker with a simple but daring idea. He wanted a film that explored humanity's darkest fear : death. So he made a film that looked like a documentary, filled with real life horrors and unsettling footages. At the time of the film there was a growing curiosity about taboo subjects in media with people becoming fascinated by things that were considered too shoking and forbidden. John Alan Schwartz saw this as an opportunity. He developed a concept for his movie, as a mockumentary, a film that looked like a real documentary but blends truth with fiction. His vision was to create something that felt authentic, something making the viwers question what they have just seen. So the director and his team gathered a mix of content, using a combination of staged scenes, authentic news footage and even graphic real life clips of death to create a film that feels disturbingly real. At a point you might watch someone perform an autopsy and next scene you would see a staged execution that would look just as believable. The combination of the real and the fake made it almost impossible to tell what was real and what was not. But Swhcarz added a layer that would make the film even more unsettling.
A narrator, a fictional pathologist named Dr Francis B Gross was create to guide the viewers through he movie. His calm, clinical tone made the horrifying images on screen feel even more shockign. One of the most infamous scene involves a dining room of people and a live monkey. In the scene, diners gather around a table with a hole in the center. A monkey is placed inside. the hole with only its head visible. The diners then take turn striking the monkey with small mallets before eating what becomes exposed. The twist was that it was completly staged. The monkey was a prop and the brains were actually made from a mixture of gelatin and food coloring. We later have a shot of a women leaning out the window of an apartment building. The entire thing is on fire and she has no escape. She stares at the ground, knowing the fall is too high to survive. But she has no choice. We then see her jump. The fall and death of the women is this time in fact entirely real. However the aftermath with the close ups of her lifeless body on the ground was completly fabricated by the filmmakers. About 60% of the film uses real graphic and horrible footage while 40% of it is completly staged though you are not told during the film which are and which are not.
1, 2 et 3
serbian film c'est de la grosse merde
Et le pire c'est qu'il existe des films encore plus inquiétants.
On level 4 of the iceberg there are movies like Mai Chan's daily life. - It follows a young women's life, who secures a life and made position at a secluded mansion. At first everything appears normal with polish floors, pristine, french maid outfits and the promise of a stable life away from the chaos of the outside world. But as the character begings her work, she realizes there is nothing ordinary about this place. The other maids like Miao are here to server. But their roles extend far beyond cleaning when taking orders. They are subjected to their employers perverse and violent fantasies, forced into acts of submission and degradation. Among the 3 maids, one stands out, possessing an ability : healing from any injury no matter how severe it is. Immortality might be a gift, in her cuse this is her curse. Her employers exploit her regenerative powers to in the most grotesque ways imaginable. Day after day, Mai becomes the unwilling centerpiece of their desire, enduring acts of torture and violence that are all shown to the viewers in graphic details. At first, Miyako is horrified watching Mai endure these endless pain with no relief. It's a spectable that should repel anyone but this mansion has a way of warping those those who live within these walls. And slowly, Miyako's resistance fails under pressure. From her employers she is persuaded to take part in their cruelty inflicted on Mai. One of the most infamous sequences involves acts of cannibalism with her abusers literlaly talking pieces out of her, consuming them as though they were a disposable source of endless food. The film doesn't spare you any of the details.
Every shot and every scene become hard to get trough. The grotesque imagery is aired with a nonchalance. The characters around her don't treat her with pity and compassion. They see her as an object for their entertainment with the dehumanization of Mai being central to the film's chock factor. When the film was released, it was immediatly controversial. Even in a country like Japan, known for its tolerance of extreme entertainment, especially when it comes to video games, the film was met with outrage, discussed. Outside of Japan, the reaction was even more severe. The film was either banned either heavily censored in multiple countries, deemed too graphic and too disturbing for public consumption.
Birth of a nation. - It first the movie looks like an epic tale of the American civil war and it's aftermatch. But if you actually watch it, it's not just telling a story but rather spreading a message and a dangerous one at that. The film is divided into 2 parts. The first half shows the Civil War and its devastating impact on 2 white families. The stoneman from the north and the Camerons from the south.It betrays their struggles, their heartbreaks and their losses during the war. This part of the film is dramatic, emotionnal and carefully crafted to draw you though it's easy to forget what's coming next. The second half is where the true intentions of the film become clear. It focuses on reconstruction, the period after the Civil War when the South was being rebuilt. The director of the film, D. W. Griffith, doesn't show this as a time of progress. Instead, he portrays it as a nightmare. Black characters played by white actors in black paint are shown as corrupt, violent and incapable of governing. THey are depicted as predators out to destroy white Southern society. One of the most infamous parts of the film is its portrayal of the Ku Klux Klan. The director doesn't show the clan as the violent, racist group that we know today. Instead they are painted as noble heros, riding to save the south from the chaos caused by black people. In one dramatic scene, the clan charges to the rescue of a white family with dramatic music swelling in the background. This scene is designed to make the audience sheer for them, to see them as saviors, not villains. In another scene, a black character chases a white women trying to force her into marriage. She runs in terror and eventually throws herself off a cliff to escape. The birth of a nation also portrays reconstruction era black politicians as lazy, incompetent and immorals. In one scene, they are shown drinking alcohol, and putting their bare feet up on deskss.
During a government meeting, Grith claimed he didn't make the film to spread hate. He argued it was just a story. But the way he choses to tell taht story reveals the truth. When the birth of a nation was released in 1915, it was a phenomenon. Audiences flocked in theaters with some traveling miles just to see it. It quickly became the highest grossing film of its time, earning what would be equivalent of hundred of millions of dollars. But the film's success wasn't just about ticket sales. It had a ripple effect that would leave a stain on history. The most immediate and chilling fallout was the revival of the Ku Klux Klan. Before the film, the clan largely faded into obscurity. But birth of a nation made them heroic. Inspired by the film, William J Simmons founded a new clan in 1915 just a few months after the film's release. He reportedly used the movie as a recruitment tool showing to the clan's meetings to inspire new members. By the 1920s, the KKK has grown into a powerful nationwide organization with millions of members. They marched openly in cities, staged massive rallies and committed acts of violence and terror while waving the the banner of their so called heroic legacy as shown in the film. Even the president Woodrow Wilson was caught in the controvery. After a private screening at the White House he allegedly praised the film, calling it like writing history with lightning. Though historians debate whether he actually said, this wuote was widely reported at the time, giving the film even more legitimacy in the eyes of its supporters. Despite its controversial legacy, the birth of a nation literally revolutionnized film making settling the standard for cinematic storytelling at over 3 hours. It was a long, it was one of the first film to feature a complex narrative with emotional depth and multiple storylines proving that films could be more than just mindless entertainment, that it could be actual art.
Slaughtered vomit dolls - When you hear the name " Lucifer for Valentine ", it's hard to not picture someone who would make a film called " slaughtered vomit dolls ". Valentine calls herself the pionner of the vomitgore sub genre. A label as strange and grotesque as the films created. The film is a fragmented serie of graphic and surreal images loosely tied together by the main character Angela who is spiraling into madness. And Valentine doesn't shy away from showing extreme violence, often lingering scenes of bodily harm far longer than most viewers could stomach. The film also incorporates an unusual and highly controversial element : real vomiting. Multiple scenes show actors forcing themselves to vomit on cameras, sometimes repeatedly. It's not just a fleeting moment either. It's a central theme of the film appearing over and over. What makes these scenes even more unwatchable is the way they blurred the line between fiction and reality. While the violence is staged, the vomiting is real, creating a very grotesque mix of the truly authentic and the staged. You don't watch actors just pretending to suffer. You see them physically endure something unpleasant.
Guinea Pig - The story of Guinea Pig begins with Hideshi Hino, a manga artist known for his grotesque and shocking illustrations. He is specialized in creating disturbing and surreal comics that explored the darkest corners of human imagination. But drawing wasn't enough. He wanted to bring his twisted visions to life on screen. His idea was very simple : make films that looked so real that people would forget they were watching fiction. The Guinea Pig's serie launched with the devil's experiment in 1985. A short film that sets the tone for what was to come. There wasn't really a plot but rather a serie of increasingly brutal tortures inflicted in a young women. However, the second installment flowers of flash and blood is what cemented Guinea Pig as one of the most infamous serie of all time. Directed by Hideshi Hino himself, he was reportedly inspired by a letter he had received from a fan. The fan claimed to be a murderer and described ing raphic details how he had dismembered his victims. He turned this twisted inspiration into a film that would haunt audiences for years. Flowers of flash and blood depicts a samurai abducting a women, drugging her and destroying her piece by piece. All is shown in excruciating details, using prosthetics, animal parts and gallons to fake blood. The filmmakers made visuals so realistic that even fans accostumed to extreme gore were left shaken. It's like if somehow the filmakers captured the real violence on camera. And that was the point. The director wanted the audience to make them feel like they were witnessing something they shouldn't be watching. What happened in 1991 elevated their notoriety to a whole new level. This was the moment when a Hollywood actor convinced that flower of flesh and blood was a real snuff film, sparked a FBI an investigation that would forever cement this serie's legacy in horror history.
On level 4 of the iceberg there are movies like Mai Chan's daily life. - It follows a young women's life, who secures a life and made position at a secluded mansion. At first everything appears normal with polish floors, pristine, french maid outfits and the promise of a stable life away from the chaos of the outside world. But as the character begings her work, she realizes there is nothing ordinary about this place. The other maids like Miao are here to server. But their roles extend far beyond cleaning when taking orders. They are subjected to their employers perverse and violent fantasies, forced into acts of submission and degradation. Among the 3 maids, one stands out, possessing an ability : healing from any injury no matter how severe it is. Immortality might be a gift, in her cuse this is her curse. Her employers exploit her regenerative powers to in the most grotesque ways imaginable. Day after day, Mai becomes the unwilling centerpiece of their desire, enduring acts of torture and violence that are all shown to the viewers in graphic details. At first, Miyako is horrified watching Mai endure these endless pain with no relief. It's a spectable that should repel anyone but this mansion has a way of warping those those who live within these walls. And slowly, Miyako's resistance fails under pressure. From her employers she is persuaded to take part in their cruelty inflicted on Mai. One of the most infamous sequences involves acts of cannibalism with her abusers literlaly talking pieces out of her, consuming them as though they were a disposable source of endless food. The film doesn't spare you any of the details.
Every shot and every scene become hard to get trough. The grotesque imagery is aired with a nonchalance. The characters around her don't treat her with pity and compassion. They see her as an object for their entertainment with the dehumanization of Mai being central to the film's chock factor. When the film was released, it was immediatly controversial. Even in a country like Japan, known for its tolerance of extreme entertainment, especially when it comes to video games, the film was met with outrage, discussed. Outside of Japan, the reaction was even more severe. The film was either banned either heavily censored in multiple countries, deemed too graphic and too disturbing for public consumption.
Birth of a nation. - It first the movie looks like an epic tale of the American civil war and it's aftermatch. But if you actually watch it, it's not just telling a story but rather spreading a message and a dangerous one at that. The film is divided into 2 parts. The first half shows the Civil War and its devastating impact on 2 white families. The stoneman from the north and the Camerons from the south.It betrays their struggles, their heartbreaks and their losses during the war. This part of the film is dramatic, emotionnal and carefully crafted to draw you though it's easy to forget what's coming next. The second half is where the true intentions of the film become clear. It focuses on reconstruction, the period after the Civil War when the South was being rebuilt. The director of the film, D. W. Griffith, doesn't show this as a time of progress. Instead, he portrays it as a nightmare. Black characters played by white actors in black paint are shown as corrupt, violent and incapable of governing. THey are depicted as predators out to destroy white Southern society. One of the most infamous parts of the film is its portrayal of the Ku Klux Klan. The director doesn't show the clan as the violent, racist group that we know today. Instead they are painted as noble heros, riding to save the south from the chaos caused by black people. In one dramatic scene, the clan charges to the rescue of a white family with dramatic music swelling in the background. This scene is designed to make the audience sheer for them, to see them as saviors, not villains. In another scene, a black character chases a white women trying to force her into marriage. She runs in terror and eventually throws herself off a cliff to escape. The birth of a nation also portrays reconstruction era black politicians as lazy, incompetent and immorals. In one scene, they are shown drinking alcohol, and putting their bare feet up on deskss.
During a government meeting, Grith claimed he didn't make the film to spread hate. He argued it was just a story. But the way he choses to tell taht story reveals the truth. When the birth of a nation was released in 1915, it was a phenomenon. Audiences flocked in theaters with some traveling miles just to see it. It quickly became the highest grossing film of its time, earning what would be equivalent of hundred of millions of dollars. But the film's success wasn't just about ticket sales. It had a ripple effect that would leave a stain on history. The most immediate and chilling fallout was the revival of the Ku Klux Klan. Before the film, the clan largely faded into obscurity. But birth of a nation made them heroic. Inspired by the film, William J Simmons founded a new clan in 1915 just a few months after the film's release. He reportedly used the movie as a recruitment tool showing to the clan's meetings to inspire new members. By the 1920s, the KKK has grown into a powerful nationwide organization with millions of members. They marched openly in cities, staged massive rallies and committed acts of violence and terror while waving the the banner of their so called heroic legacy as shown in the film. Even the president Woodrow Wilson was caught in the controvery. After a private screening at the White House he allegedly praised the film, calling it like writing history with lightning. Though historians debate whether he actually said, this wuote was widely reported at the time, giving the film even more legitimacy in the eyes of its supporters. Despite its controversial legacy, the birth of a nation literally revolutionnized film making settling the standard for cinematic storytelling at over 3 hours. It was a long, it was one of the first film to feature a complex narrative with emotional depth and multiple storylines proving that films could be more than just mindless entertainment, that it could be actual art.
Slaughtered vomit dolls - When you hear the name " Lucifer for Valentine ", it's hard to not picture someone who would make a film called " slaughtered vomit dolls ". Valentine calls herself the pionner of the vomitgore sub genre. A label as strange and grotesque as the films created. The film is a fragmented serie of graphic and surreal images loosely tied together by the main character Angela who is spiraling into madness. And Valentine doesn't shy away from showing extreme violence, often lingering scenes of bodily harm far longer than most viewers could stomach. The film also incorporates an unusual and highly controversial element : real vomiting. Multiple scenes show actors forcing themselves to vomit on cameras, sometimes repeatedly. It's not just a fleeting moment either. It's a central theme of the film appearing over and over. What makes these scenes even more unwatchable is the way they blurred the line between fiction and reality. While the violence is staged, the vomiting is real, creating a very grotesque mix of the truly authentic and the staged. You don't watch actors just pretending to suffer. You see them physically endure something unpleasant.
Guinea Pig - The story of Guinea Pig begins with Hideshi Hino, a manga artist known for his grotesque and shocking illustrations. He is specialized in creating disturbing and surreal comics that explored the darkest corners of human imagination. But drawing wasn't enough. He wanted to bring his twisted visions to life on screen. His idea was very simple : make films that looked so real that people would forget they were watching fiction. The Guinea Pig's serie launched with the devil's experiment in 1985. A short film that sets the tone for what was to come. There wasn't really a plot but rather a serie of increasingly brutal tortures inflicted in a young women. However, the second installment flowers of flash and blood is what cemented Guinea Pig as one of the most infamous serie of all time. Directed by Hideshi Hino himself, he was reportedly inspired by a letter he had received from a fan. The fan claimed to be a murderer and described ing raphic details how he had dismembered his victims. He turned this twisted inspiration into a film that would haunt audiences for years. Flowers of flash and blood depicts a samurai abducting a women, drugging her and destroying her piece by piece. All is shown in excruciating details, using prosthetics, animal parts and gallons to fake blood. The filmmakers made visuals so realistic that even fans accostumed to extreme gore were left shaken. It's like if somehow the filmakers captured the real violence on camera. And that was the point. The director wanted the audience to make them feel like they were witnessing something they shouldn't be watching. What happened in 1991 elevated their notoriety to a whole new level. This was the moment when a Hollywood actor convinced that flower of flesh and blood was a real snuff film, sparked a FBI an investigation that would forever cement this serie's legacy in horror history.
On va pas donné de titre si tu vois ce que je veux dire...
Vous devez être au niveau 7 pour voir ce message.
Sincèrement clé j'ai pas compris la démarche, ils ont même fait revenir l'actrice du 1 mais j'ai vraiment pas pigé quoi... J'imagine même pas l'ambiance sur le tournage et comment tu vends un film pareil aux producteurs... Faut croire qu'il y a un public pour ce genre d'atrocités.
Perso je retourne regarder The Sound of Music...
Perso je retourne regarder The Sound of Music...
Je me souviens avoir vu des scènes de films comme
The exorcist
Guinea Pig: Devil’s Experiment
Tumbling Doll of Flesh
Et des images de : " Snuff R73 " qui est tout sauf un film on va dire traditionnel pour ne pas dire plus. ( Bon je sais pas si ce truc existe vraiment en entier ou si c'est juste une légende mais c'est quand même chaud bordel )
Ils sont bien pires que Human Centipede à 100%. Voir même pires que Serbian film.
Je déconseille à quiconque d'essayer un de ces trucs. Le seul qui est probablement regardable dans la liste, c'est The exorcist.
The Viking - In the 1930s, Hollwyood was in the middle of a revolution. Silent films were being replaced by talkies which are films with synchronized sounds like you can see in almost any film nowadays. Possibilities felt endless. Audiences were no longer limited in imagining voices or sounds effects and the screen was able to come alive as never before. While many filmmakers were playing it safe from the studios, " The Viking " dared to do something that no one else has attempted. It was one of the first films to be shot entirely on location. And not just any location because the filmmakers chose the freezing Arctic Waters of the coast of New Foundland. They wanted the film to feel as real as possible, capturing the harsh icy conditions that seal hunters faced. For the time it was an especially bold move, especially since technology for recording sound outside of a studio was still in its infancy. The story was inspired by the dangerous lives of sealers, the man who braved the Arctic Waters to haunt seals for their fur and oil. But the filmmakers weren't content with just telling a story. They wanted to immerse the audiences in the reality of this. To do this, they brought their entire cast and crew to the harsh unpredictable Arctic and it wasn't an easy task. The equipment they used to record sound was heavy and fragile. Not a tool designed for the Sub Zero temperatures and the shifting ice flows of the North Atlantic still the team pushed forward determined to create something unlike anything the world has ever seen. Their ambition paid off in many ways, as the Viking was widely praised for its authenticity and gripping visuals.
The filmmakers obsession with realism has brought them face to face with danger at every turn. This relentless pursuit of authenticities would lead to some of the deadliest tragedies in film history.One of the boldest and most dangerous choice was to show many of the scenes abroad a real ceiling ship, the SS Viking. At the time, ceiling ships were rugged vessels designed to whistand brutal conditions of Atlantic. These ships not only carried the crew but also dynamite to break through thick ice. While this was standard practice for sealers, it added a massive layer of risk for the film's crew, unfamiliar with such hazards. The ship's cap and crew were real sealers and it added to the film's authenticity but also exposed the cast and crew to the same dangers these men face daily. On March 15th 1931 with SS Vikings sets sail from Saint John's new Foundland, carrying not only the crew but dangerous cargo of dynamite and other explosive. They were meant to break the ice and create a dramatic visual effect for the film. The filmmakers did similar techniques earlier in the film. But this time the stakes were higher : the winter ice was thicker, the conditions harsher and the crew more desperate to finish the job and just get out of the Arctic. Hours spired into days and the ship navigated the treacherous ice fields, battling freezing, freezings and towering waves. Still the crew was determined to capture the footage and mid afternoon, a fire broke out on board, spreading rapidly through its wooden structure. Its believed that the sparks from a storve or lantern ignited the flammable cargo leading to a catastrophic explosion. The dynamite stored in the hold detonated with such a force that it tore through the SS Viking, instantly killing dozens of people on board and throwing others into the freezing Arctic waters.
Survivors described the scene as pure chaos. The explosion was deafening on its own and the ship was engulfed with flames within moments. Those who weren't killed by the blast scrambled to abandon the ship, jumping into icy waters or clinging into pieces of debris. Hypothermia claimed even more lives. Rescue efforts were hampered by the remote location and harsh conditions. Nearby ships and locals rushed to help. Out of 140 people on board, almost 30 lost their lives including Baric Frisell and the director of the Viking.
Among the abyss of the icerberg, films like Snurff R73. It's not a typical film with director cast and a production team you can look to. This one seems to have come from the very depth of the internet. No one knows exactly who made it, where it was created or why it even exists. First film surfaced in horror forums in the mid 2010s. A place where extreme films are shared by people looking for content that more than pushes the boundaries. The film itself is essentially a collection of real life footage stitched together into something far more horrifying than any fiction. Many believe the film was created as a statement or as a sort of challenged as it could be designed test how much a viewer could handle. The most infamous parts of the film involve childrens. On the tamer side it features real medical footage, surgeries and procedures of infants and todlers. While medical procedures can be uncomfortables, the way the film presents them make them feels even more exploitative. There is no educational value. It's obviously here for shock value. Another notorious segment involves war footage injured civilians, children being caught in the horrors of war. Worst part of the wilm is a footage of an adult man severly harming a child. It's a real footage stitched together to create one of the hardest viewing experiences on the planet.
MDPOPE - It stands for most disturbed person on planet earth. It might be just a claim to grab attention. The series is the brainchild of a mysterious creator known as thomas extreme cinemagore. It's not really a filmmaker in the traditionnal sense. He is a compiler. Rather than shooting original footages he scours the darkest corners of the internet to create a collection of clips that push the boundaries. It was created to challenge even the most hardened viewers. It's labelled as a shockumentary, designed only not to disturb but to test the limits o human curiosity. It includes real footages of accidents and executions and other moments of extreme violence. Soe of the most controversial clips involve graphic and severe abuses of animals which many viewers find even harder to watch than footage of real human deaths. The first film was released quietly online, gaining notoriety through word of mouth and internet forums dedicated Its sequel MDPOPE 2 followed the same formula but with even more extreme content. The creator Thomas still remained anonymous, adding another layer of mystery.
Protect and survive - Cold war was a period of uncertainty and fear. Both USA and USSR were capable of launching nuclear weapons, each one being able to wipe out an entire city. UK could be a potential target. In the 1970s the UK government wanted to prepare its citizens but they didn't want to panic public. So instead of public meetings or creating dramatic TV campaigns, they decided to produce a series of short films called protect and survive, these films were meant to educate people on how to protect themselves and their families during a nuclear emergency. They were destined to stay hidden until the government believed the nuclear attack was imminent. Then days and hours before the disaster stuck the film would be broadcast on televisions and radio to give people practical instructions on how to survive. But protect and survive didn't stay hidden for long as the serie got leaked to the public in the late 1970s. Instead of feeling reassured many were horrified because of the cold matter and the tone of the films who made the instructions feel more like a death sentence rather than a survival guide. For example one film calmy explained how to make a makeshift fallout shelter using everyday items like doors, blankets and furnitures. The tone wasn't just unsettling, it was terrifying. Imagine enjoying a good day at home and this suddently comes on your television and this might be the last film you will ever see in some cases.
The exorcist
Guinea Pig: Devil’s Experiment
Tumbling Doll of Flesh
Et des images de : " Snuff R73 " qui est tout sauf un film on va dire traditionnel pour ne pas dire plus. ( Bon je sais pas si ce truc existe vraiment en entier ou si c'est juste une légende mais c'est quand même chaud bordel )
Ils sont bien pires que Human Centipede à 100%. Voir même pires que Serbian film.
Je déconseille à quiconque d'essayer un de ces trucs. Le seul qui est probablement regardable dans la liste, c'est The exorcist.
The Viking - In the 1930s, Hollwyood was in the middle of a revolution. Silent films were being replaced by talkies which are films with synchronized sounds like you can see in almost any film nowadays. Possibilities felt endless. Audiences were no longer limited in imagining voices or sounds effects and the screen was able to come alive as never before. While many filmmakers were playing it safe from the studios, " The Viking " dared to do something that no one else has attempted. It was one of the first films to be shot entirely on location. And not just any location because the filmmakers chose the freezing Arctic Waters of the coast of New Foundland. They wanted the film to feel as real as possible, capturing the harsh icy conditions that seal hunters faced. For the time it was an especially bold move, especially since technology for recording sound outside of a studio was still in its infancy. The story was inspired by the dangerous lives of sealers, the man who braved the Arctic Waters to haunt seals for their fur and oil. But the filmmakers weren't content with just telling a story. They wanted to immerse the audiences in the reality of this. To do this, they brought their entire cast and crew to the harsh unpredictable Arctic and it wasn't an easy task. The equipment they used to record sound was heavy and fragile. Not a tool designed for the Sub Zero temperatures and the shifting ice flows of the North Atlantic still the team pushed forward determined to create something unlike anything the world has ever seen. Their ambition paid off in many ways, as the Viking was widely praised for its authenticity and gripping visuals.
The filmmakers obsession with realism has brought them face to face with danger at every turn. This relentless pursuit of authenticities would lead to some of the deadliest tragedies in film history.One of the boldest and most dangerous choice was to show many of the scenes abroad a real ceiling ship, the SS Viking. At the time, ceiling ships were rugged vessels designed to whistand brutal conditions of Atlantic. These ships not only carried the crew but also dynamite to break through thick ice. While this was standard practice for sealers, it added a massive layer of risk for the film's crew, unfamiliar with such hazards. The ship's cap and crew were real sealers and it added to the film's authenticity but also exposed the cast and crew to the same dangers these men face daily. On March 15th 1931 with SS Vikings sets sail from Saint John's new Foundland, carrying not only the crew but dangerous cargo of dynamite and other explosive. They were meant to break the ice and create a dramatic visual effect for the film. The filmmakers did similar techniques earlier in the film. But this time the stakes were higher : the winter ice was thicker, the conditions harsher and the crew more desperate to finish the job and just get out of the Arctic. Hours spired into days and the ship navigated the treacherous ice fields, battling freezing, freezings and towering waves. Still the crew was determined to capture the footage and mid afternoon, a fire broke out on board, spreading rapidly through its wooden structure. Its believed that the sparks from a storve or lantern ignited the flammable cargo leading to a catastrophic explosion. The dynamite stored in the hold detonated with such a force that it tore through the SS Viking, instantly killing dozens of people on board and throwing others into the freezing Arctic waters.
Survivors described the scene as pure chaos. The explosion was deafening on its own and the ship was engulfed with flames within moments. Those who weren't killed by the blast scrambled to abandon the ship, jumping into icy waters or clinging into pieces of debris. Hypothermia claimed even more lives. Rescue efforts were hampered by the remote location and harsh conditions. Nearby ships and locals rushed to help. Out of 140 people on board, almost 30 lost their lives including Baric Frisell and the director of the Viking.
Among the abyss of the icerberg, films like Snurff R73. It's not a typical film with director cast and a production team you can look to. This one seems to have come from the very depth of the internet. No one knows exactly who made it, where it was created or why it even exists. First film surfaced in horror forums in the mid 2010s. A place where extreme films are shared by people looking for content that more than pushes the boundaries. The film itself is essentially a collection of real life footage stitched together into something far more horrifying than any fiction. Many believe the film was created as a statement or as a sort of challenged as it could be designed test how much a viewer could handle. The most infamous parts of the film involve childrens. On the tamer side it features real medical footage, surgeries and procedures of infants and todlers. While medical procedures can be uncomfortables, the way the film presents them make them feels even more exploitative. There is no educational value. It's obviously here for shock value. Another notorious segment involves war footage injured civilians, children being caught in the horrors of war. Worst part of the wilm is a footage of an adult man severly harming a child. It's a real footage stitched together to create one of the hardest viewing experiences on the planet.
MDPOPE - It stands for most disturbed person on planet earth. It might be just a claim to grab attention. The series is the brainchild of a mysterious creator known as thomas extreme cinemagore. It's not really a filmmaker in the traditionnal sense. He is a compiler. Rather than shooting original footages he scours the darkest corners of the internet to create a collection of clips that push the boundaries. It was created to challenge even the most hardened viewers. It's labelled as a shockumentary, designed only not to disturb but to test the limits o human curiosity. It includes real footages of accidents and executions and other moments of extreme violence. Soe of the most controversial clips involve graphic and severe abuses of animals which many viewers find even harder to watch than footage of real human deaths. The first film was released quietly online, gaining notoriety through word of mouth and internet forums dedicated Its sequel MDPOPE 2 followed the same formula but with even more extreme content. The creator Thomas still remained anonymous, adding another layer of mystery.
Protect and survive - Cold war was a period of uncertainty and fear. Both USA and USSR were capable of launching nuclear weapons, each one being able to wipe out an entire city. UK could be a potential target. In the 1970s the UK government wanted to prepare its citizens but they didn't want to panic public. So instead of public meetings or creating dramatic TV campaigns, they decided to produce a series of short films called protect and survive, these films were meant to educate people on how to protect themselves and their families during a nuclear emergency. They were destined to stay hidden until the government believed the nuclear attack was imminent. Then days and hours before the disaster stuck the film would be broadcast on televisions and radio to give people practical instructions on how to survive. But protect and survive didn't stay hidden for long as the serie got leaked to the public in the late 1970s. Instead of feeling reassured many were horrified because of the cold matter and the tone of the films who made the instructions feel more like a death sentence rather than a survival guide. For example one film calmy explained how to make a makeshift fallout shelter using everyday items like doors, blankets and furnitures. The tone wasn't just unsettling, it was terrifying. Imagine enjoying a good day at home and this suddently comes on your television and this might be the last film you will ever see in some cases.
serbian film c'est de la grosse merde
Ca reste un des films les plus malsains jamais tournés honnêtement. Et il y en a qui ont réussi à faire pire je ne sais comment.
ayaaaa je n'ai toujours pas vu "The Exorcist"
je suis une couille-molle en fait
je suis une couille-molle en fait
On va pas donné de titre si tu vois ce que je veux dire...
Cela dépend si tu es amateur de ce genre de films malsains. Perso si je regarde ce genre de truc une fois, ça n'ira pas plus loin qu'un seul visionnage.
Le premier bordel
Je me souviens avoir vu des scènes de films comme
The exorcist
Guinea Pig: Devil’s Experiment
Tumbling Doll of Flesh
Et des images de : " Snuff R73 " qui est tout sauf un film on va dire traditionnel pour ne pas dire plus. ( Bon je sais pas si ce truc existe vraiment en entier ou si c'est juste une légende mais c'est quand même chaud bordel )
Ils sont bien pires que Human Centipede à 100%. Voir même pires que Serbian film.
Je déconseille à quiconque d'essayer un de ces trucs. Le seul qui est probablement regardable dans la liste, c'est The exorcist.
The Viking - In the 1930s, Hollwyood was in the middle of a revolution. Silent films were being replaced by talkies which are films with synchronized sounds like you can see in almost any film nowadays. Possibilities felt endless. Audiences were no longer limited in imagining voices or sounds effects and the screen was able to come alive as never before. While many filmmakers were playing it safe from the studios, " The Viking " dared to do something that no one else has attempted. It was one of the first films to be shot entirely on location. And not just any location because the filmmakers chose the freezing Arctic Waters of the coast of New Foundland. They wanted the film to feel as real as possible, capturing the harsh icy conditions that seal hunters faced. For the time it was an especially bold move, especially since technology for recording sound outside of a studio was still in its infancy. The story was inspired by the dangerous lives of sealers, the man who braved the Arctic Waters to haunt seals for their fur and oil. But the filmmakers weren't content with just telling a story. They wanted to immerse the audiences in the reality of this. To do this, they brought their entire cast and crew to the harsh unpredictable Arctic and it wasn't an easy task. The equipment they used to record sound was heavy and fragile. Not a tool designed for the Sub Zero temperatures and the shifting ice flows of the North Atlantic still the team pushed forward determined to create something unlike anything the world has ever seen. Their ambition paid off in many ways, as the Viking was widely praised for its authenticity and gripping visuals.
The filmmakers obsession with realism has brought them face to face with danger at every turn. This relentless pursuit of authenticities would lead to some of the deadliest tragedies in film history.One of the boldest and most dangerous choice was to show many of the scenes abroad a real ceiling ship, the SS Viking. At the time, ceiling ships were rugged vessels designed to whistand brutal conditions of Atlantic. These ships not only carried the crew but also dynamite to break through thick ice. While this was standard practice for sealers, it added a massive layer of risk for the film's crew, unfamiliar with such hazards. The ship's cap and crew were real sealers and it added to the film's authenticity but also exposed the cast and crew to the same dangers these men face daily. On March 15th 1931 with SS Vikings sets sail from Saint John's new Foundland, carrying not only the crew but dangerous cargo of dynamite and other explosive. They were meant to break the ice and create a dramatic visual effect for the film. The filmmakers did similar techniques earlier in the film. But this time the stakes were higher : the winter ice was thicker, the conditions harsher and the crew more desperate to finish the job and just get out of the Arctic. Hours spired into days and the ship navigated the treacherous ice fields, battling freezing, freezings and towering waves. Still the crew was determined to capture the footage and mid afternoon, a fire broke out on board, spreading rapidly through its wooden structure. Its believed that the sparks from a storve or lantern ignited the flammable cargo leading to a catastrophic explosion. The dynamite stored in the hold detonated with such a force that it tore through the SS Viking, instantly killing dozens of people on board and throwing others into the freezing Arctic waters.
Survivors described the scene as pure chaos. The explosion was deafening on its own and the ship was engulfed with flames within moments. Those who weren't killed by the blast scrambled to abandon the ship, jumping into icy waters or clinging into pieces of debris. Hypothermia claimed even more lives. Rescue efforts were hampered by the remote location and harsh conditions. Nearby ships and locals rushed to help. Out of 140 people on board, almost 30 lost their lives including Baric Frisell and the director of the Viking.
Among the abyss of the icerberg, films like Snurff R73. It's not a typical film with director cast and a production team you can look to. This one seems to have come from the very depth of the internet. No one knows exactly who made it, where it was created or why it even exists. First film surfaced in horror forums in the mid 2010s. A place where extreme films are shared by people looking for content that more than pushes the boundaries. The film itself is essentially a collection of real life footage stitched together into something far more horrifying than any fiction. Many believe the film was created as a statement or as a sort of challenged as it could be designed test how much a viewer could handle. The most infamous parts of the film involve childrens. On the tamer side it features real medical footage, surgeries and procedures of infants and todlers. While medical procedures can be uncomfortables, the way the film presents them make them feels even more exploitative. There is no educational value. It's obviously here for shock value. Another notorious segment involves war footage injured civilians, children being caught in the horrors of war. Worst part of the wilm is a footage of an adult man severly harming a child. It's a real footage stitched together to create one of the hardest viewing experiences on the planet.
MDPOPE - It stands for most disturbed person on planet earth. It might be just a claim to grab attention. The series is the brainchild of a mysterious creator known as thomas extreme cinemagore. It's not really a filmmaker in the traditionnal sense. He is a compiler. Rather than shooting original footages he scours the darkest corners of the internet to create a collection of clips that push the boundaries. It was created to challenge even the most hardened viewers. It's labelled as a shockumentary, designed only not to disturb but to test the limits o human curiosity. It includes real footages of accidents and executions and other moments of extreme violence. Soe of the most controversial clips involve graphic and severe abuses of animals which many viewers find even harder to watch than footage of real human deaths. The first film was released quietly online, gaining notoriety through word of mouth and internet forums dedicated Its sequel MDPOPE 2 followed the same formula but with even more extreme content. The creator Thomas still remained anonymous, adding another layer of mystery.
Protect and survive - Cold war was a period of uncertainty and fear. Both USA and USSR were capable of launching nuclear weapons, each one being able to wipe out an entire city. UK could be a potential target. In the 1970s the UK government wanted to prepare its citizens but they didn't want to panic public. So instead of public meetings or creating dramatic TV campaigns, they decided to produce a series of short films called protect and survive, these films were meant to educate people on how to protect themselves and their families during a nuclear emergency. They were destined to stay hidden until the government believed the nuclear attack was imminent. Then days and hours before the disaster stuck the film would be broadcast on televisions and radio to give people practical instructions on how to survive. But protect and survive didn't stay hidden for long as the serie got leaked to the public in the late 1970s. Instead of feeling reassured many were horrified because of the cold matter and the tone of the films who made the instructions feel more like a death sentence rather than a survival guide. For example one film calmy explained how to make a makeshift fallout shelter using everyday items like doors, blankets and furnitures. The tone wasn't just unsettling, it was terrifying. Imagine enjoying a good day at home and this suddently comes on your television and this might be the last film you will ever see in some cases.
The exorcist
Guinea Pig: Devil’s Experiment
Tumbling Doll of Flesh
Et des images de : " Snuff R73 " qui est tout sauf un film on va dire traditionnel pour ne pas dire plus. ( Bon je sais pas si ce truc existe vraiment en entier ou si c'est juste une légende mais c'est quand même chaud bordel )
Ils sont bien pires que Human Centipede à 100%. Voir même pires que Serbian film.
Je déconseille à quiconque d'essayer un de ces trucs. Le seul qui est probablement regardable dans la liste, c'est The exorcist.
The Viking - In the 1930s, Hollwyood was in the middle of a revolution. Silent films were being replaced by talkies which are films with synchronized sounds like you can see in almost any film nowadays. Possibilities felt endless. Audiences were no longer limited in imagining voices or sounds effects and the screen was able to come alive as never before. While many filmmakers were playing it safe from the studios, " The Viking " dared to do something that no one else has attempted. It was one of the first films to be shot entirely on location. And not just any location because the filmmakers chose the freezing Arctic Waters of the coast of New Foundland. They wanted the film to feel as real as possible, capturing the harsh icy conditions that seal hunters faced. For the time it was an especially bold move, especially since technology for recording sound outside of a studio was still in its infancy. The story was inspired by the dangerous lives of sealers, the man who braved the Arctic Waters to haunt seals for their fur and oil. But the filmmakers weren't content with just telling a story. They wanted to immerse the audiences in the reality of this. To do this, they brought their entire cast and crew to the harsh unpredictable Arctic and it wasn't an easy task. The equipment they used to record sound was heavy and fragile. Not a tool designed for the Sub Zero temperatures and the shifting ice flows of the North Atlantic still the team pushed forward determined to create something unlike anything the world has ever seen. Their ambition paid off in many ways, as the Viking was widely praised for its authenticity and gripping visuals.
The filmmakers obsession with realism has brought them face to face with danger at every turn. This relentless pursuit of authenticities would lead to some of the deadliest tragedies in film history.One of the boldest and most dangerous choice was to show many of the scenes abroad a real ceiling ship, the SS Viking. At the time, ceiling ships were rugged vessels designed to whistand brutal conditions of Atlantic. These ships not only carried the crew but also dynamite to break through thick ice. While this was standard practice for sealers, it added a massive layer of risk for the film's crew, unfamiliar with such hazards. The ship's cap and crew were real sealers and it added to the film's authenticity but also exposed the cast and crew to the same dangers these men face daily. On March 15th 1931 with SS Vikings sets sail from Saint John's new Foundland, carrying not only the crew but dangerous cargo of dynamite and other explosive. They were meant to break the ice and create a dramatic visual effect for the film. The filmmakers did similar techniques earlier in the film. But this time the stakes were higher : the winter ice was thicker, the conditions harsher and the crew more desperate to finish the job and just get out of the Arctic. Hours spired into days and the ship navigated the treacherous ice fields, battling freezing, freezings and towering waves. Still the crew was determined to capture the footage and mid afternoon, a fire broke out on board, spreading rapidly through its wooden structure. Its believed that the sparks from a storve or lantern ignited the flammable cargo leading to a catastrophic explosion. The dynamite stored in the hold detonated with such a force that it tore through the SS Viking, instantly killing dozens of people on board and throwing others into the freezing Arctic waters.
Survivors described the scene as pure chaos. The explosion was deafening on its own and the ship was engulfed with flames within moments. Those who weren't killed by the blast scrambled to abandon the ship, jumping into icy waters or clinging into pieces of debris. Hypothermia claimed even more lives. Rescue efforts were hampered by the remote location and harsh conditions. Nearby ships and locals rushed to help. Out of 140 people on board, almost 30 lost their lives including Baric Frisell and the director of the Viking.
Among the abyss of the icerberg, films like Snurff R73. It's not a typical film with director cast and a production team you can look to. This one seems to have come from the very depth of the internet. No one knows exactly who made it, where it was created or why it even exists. First film surfaced in horror forums in the mid 2010s. A place where extreme films are shared by people looking for content that more than pushes the boundaries. The film itself is essentially a collection of real life footage stitched together into something far more horrifying than any fiction. Many believe the film was created as a statement or as a sort of challenged as it could be designed test how much a viewer could handle. The most infamous parts of the film involve childrens. On the tamer side it features real medical footage, surgeries and procedures of infants and todlers. While medical procedures can be uncomfortables, the way the film presents them make them feels even more exploitative. There is no educational value. It's obviously here for shock value. Another notorious segment involves war footage injured civilians, children being caught in the horrors of war. Worst part of the wilm is a footage of an adult man severly harming a child. It's a real footage stitched together to create one of the hardest viewing experiences on the planet.
MDPOPE - It stands for most disturbed person on planet earth. It might be just a claim to grab attention. The series is the brainchild of a mysterious creator known as thomas extreme cinemagore. It's not really a filmmaker in the traditionnal sense. He is a compiler. Rather than shooting original footages he scours the darkest corners of the internet to create a collection of clips that push the boundaries. It was created to challenge even the most hardened viewers. It's labelled as a shockumentary, designed only not to disturb but to test the limits o human curiosity. It includes real footages of accidents and executions and other moments of extreme violence. Soe of the most controversial clips involve graphic and severe abuses of animals which many viewers find even harder to watch than footage of real human deaths. The first film was released quietly online, gaining notoriety through word of mouth and internet forums dedicated Its sequel MDPOPE 2 followed the same formula but with even more extreme content. The creator Thomas still remained anonymous, adding another layer of mystery.
Protect and survive - Cold war was a period of uncertainty and fear. Both USA and USSR were capable of launching nuclear weapons, each one being able to wipe out an entire city. UK could be a potential target. In the 1970s the UK government wanted to prepare its citizens but they didn't want to panic public. So instead of public meetings or creating dramatic TV campaigns, they decided to produce a series of short films called protect and survive, these films were meant to educate people on how to protect themselves and their families during a nuclear emergency. They were destined to stay hidden until the government believed the nuclear attack was imminent. Then days and hours before the disaster stuck the film would be broadcast on televisions and radio to give people practical instructions on how to survive. But protect and survive didn't stay hidden for long as the serie got leaked to the public in the late 1970s. Instead of feeling reassured many were horrified because of the cold matter and the tone of the films who made the instructions feel more like a death sentence rather than a survival guide. For example one film calmy explained how to make a makeshift fallout shelter using everyday items like doors, blankets and furnitures. The tone wasn't just unsettling, it was terrifying. Imagine enjoying a good day at home and this suddently comes on your television and this might be the last film you will ever see in some cases.
Le premier bordel
Je suis en te le regarder je suis au debut
Je doit ́m’attendre au pire?
Je doit ́m’attendre au pire?
Le premier bordel
ils sont tous bien mon issou
