Le personnage de GASTON a Disneyland Paris

Il dit quoi a la fin? j'entends "t'es PD ulysse? "

JAMAIS ce mec ne s'approche de mon gosse

T'as pété

C'est toujours mieux que le mec qui fait le sanglier au Parc Astérix

Sans le costume ici

Sans le costume ici

Ayaaa merci kheyou

" certains viennent a Disney juste pour lui et le compare a Jim carey "

" certains viennent a Disney juste pour lui et le compare a Jim carey "

Viens allons-y aussi kheyou

Disneyland.. C'est par la que les enfers s'ouvriront sur notre monde...

Un jour il va tomber sur mioche genre Dewey qui va lui dire :
- tu es très moche

Why Gaston is the Real Beast

The whole song at the start of the movie sets Belle as different from other in the town. Oblivious to her quirck personality, Gaston wants to marry her for her look alone. I am not sure he is even attracted to her, just that she is the prettiest and that shallow reason makes her the best. Belle is just a mark to Gaston. a pretty trophy to collect and something to brag about in the town. A public challenge, an unecessary declaration to the town. without considering Belle. As he says this, the villagers admire Gaston for a second but then go back to be enraptured and singing about Belle. Their lack of attention and focus kind miffs Gaston. He then feels the need to jump over a roof to get to the person of his interest. invade her personnal space right awya, throw her b ook in the mud tells her that what she needs is to think about " more important things ", settle down. He won't take a no for an answer. It's very juvenile mean boy how he teases her, takes her stuff and laughs at her. That's not love but bullying. He also bullies his friends and is willing to use them to make himself look better. When Belle calls out Gaston for insulting her father Maurice, Gaston immediatly turns to Lefou, as if Gaston was not the one instigating it. Gaston uses him like a punching bag. He forces him to freeze himself for days for his own plans. Gaston nexts visit to propose Belle to marry him with the town waiting to party. Gaston is willing to compromise Belle's reputation and future prospects by barging in against her will. But maybe that was part of his plan. He is so confident she won't be able to resist him and his jockular attitude that the scandal is a moot point to him. This goes back to Gaston not really attracted to Belle as a person. Gaston checks himself out a lot, even during his proposal.
The Beast later on valued Belle's company. Gaston just want someone to make him more attractive to others. A trophy. After the proposal and the humiliation of Gaston, he swears that he will have Belle as its wife, " make no mistake about that ". It's toxic anger at being humiliated. Public humiliation is his worst fear and with that just being like everyone else. His self worth comes only from looking the best and the center of attention. Even the tavern has a whole spot dedicated to him. And other people play along, sing with his ego because they are frightened with what he will do in sulky anger mode. Everyone love him so he can have the permission to love himself. His virtues in the Gaston song are mostly physical, his chest hair, muscly muscles, expectorial prowess, intimidating stature. I mean there is nothing wrong with loving yourself but Gaston took it to a whole new level.

Some argue that Gaston leading the villagers toward the Beast's castle was coming from a noble intention, against what he saw as a threat for the village. It could have been understood if the Beast harmed innocent villagers but that was not the case. And that was not Gaston's original plans. The original plan was born from something irrationnal and selfish. His refusals to acknowledge Belle's refusals. His actual plan involves bribery to commit Belle's father to an insane asylum unless Belle agrees to marry him. Because Maurice is a bit different than the rest of the town, Gaston takes assumption that Maurice is not very sane. Gaston sees him as an easy mark and a expeditious way to marry Belle. The bribed asylum overseer is not an upstanding citizen. He knows Maurice is harmless but cannot resist the deplorable plot of Gaston. He admits it " Maurice is harmless ". But he says that he loved Gaston's plot. He knows it's wrong but he loves it for that reason. Asylums, especially the older ones, were notorious for experimenting and torturing their patients. It could be impossible to get them out of facility. People that were saw as not fit to society were frequently put in because people didn't want to deal with them. People could either be committed here for serious mental illness either for no serious reason at all. These supposed places of healing were overcrowded jails essentially with an extra perk of care mostly consisting of torture in the form of " experimental treatments ", and other forms of control. Sanitization was not a priority. And Gaston thinks this would be a fitting fate for his would be father in law. French asylums seem a bit different than American sanitoriums, having been rreated during the french revolution as a place for citizens " to get rationnal again ".

Basically to vote rationally. Some were ok but other private ones were for past nobility paying lavishly to stay out of political prison and execution. Then there were the overcrowded asylums with all the complications Upset to see that Maurice was not at his home, that he couldn't arrest him to make him go to asylum, Gaston forces his closest friend to freeze in cold for days while keeping watch outside. Gaston convinces the people of the town that his future father in law, harmless, eccentric was a danger to them all and that their only choice was to lock him up far away. This whole blackmail attempted on Belle looks like the dilemma Belle faced at the beginning of the movie but rather than mellowing out and learning love like the beast does, Gaston only heats up more and and more into dangerous violence. The Beast lets Belle go to her father because he loves her. Gaston in the other hand will lock her father up in asylum to force Belle to marry him. When Bell still refuses the marriage, Gaston says " She is as crazy as the old man " which is super dangerous to say in a crowd that already locked Maurice up and ready to be put away forever. They could as easily be moved to throw Belle in there with him. The only reason this doesn't work out is that Belle defends his father's sanity by showing proof ot the Beast, sad and in pain for losing her. But that's not even the spark that ignites the " kill the beast " movement. The townsfolk is stunned to find that raving Maurice wasn't so disillusioned sure, but it's not until Gaston realizes Belle " has feelings ' for the Beast that he becomes enraged and enters his own true " beast mode ". All because the prince Beast has won Belle's heart while Gaston could not. Gaston then ignites the crowd with his own anger and rage to hunt the Beast. He overplays every citizen's concern to his own end, manipulating the villagers into thinking that the Beast will come for their childrens.
Ironically, no one listened to Maurice when he was a " lunatic raving about a beast ". But now with crazy old Maurice took away everyone is on board with the Beast's existence because of Gaston's stark raving rage fueled insistence that the Beast is a menace despite Belle's protestations. The townsfolk are also not blameless. The line of the song they sing on their way to the castle say it all :" We don't like what we don't understand. " " We will save our village and our lives ". " We will kill the Beast ". Rather than trying to understand something a little different, the villagers ironically resort to mass hysteria and mob mentality with a single purpose : kill the beast. Maybe they are the ones that should be taken to the asylum after all. As for Gaston, he strokes their fears, builds upon them and exegerrates them until everyone can only act with hatred and fear. he is a mouthpiece for the little sleepy town. And he has no limits. He didn't have to twist anyone's arm to show up menacingly and carry weapons to capture Maurice. But he will make sure they are used. All it took was to switch their attention from being frightened by the Beast to end the Beast by playing into their darkest fears and exagerrating them. He knew what he was doing and he did it well. The town had a voice to give them permission to act on their fear and and lock the eccentic inventor and his " nothing like the rest of us " daughter in a cellar. Now in his element of power with his new quarry, Gaston throws away Belle like she was nothing, telling " If you are not with us, you are against you. " She was only a mean to an end : the prettiest couple in the village. Gaston couldn't bear anyone but him having the prettiest bride even if he is not really into her for what she is. He actually made her public enemy number 1 ( or 2 with the Beast on top spot ) so he can only distance himself from her, discard her.

The only ending for Gaston was what he got. He took too much pleasure in his single sided fighting with the Beast. When the Beast fights back, we see him lose all his confidence, and ultimatly on the verge of death : Let me go. Please don't hurt me. I will do anything. Anything. " He doesn't want competition. He wants to be the best, whatever that is and whatever cost including being a sneaky backstabbing worm. The reason Gaston worked so well as a villain is that he has no limits. Then he shows us just hos depraved he is. And the town has readily delegated him as their mouthpiece. Their voice of hatred that they don't dare to say themselves. Gaston is too eager to sacrifice a harmless old man to torture, kill the Beast with his back turned and incite a whole village to violence all of this because he doesn't get this way. And the village was eager to follow. If Belle didn't try to proof Maurice's sanity with the magic mirror by showing the Beast, who knows where that mob's angry, violent energy would have been directed at. Probably on Belle herself and on Maurice's cottage and inventions. Gastond didn't care where the crowd's anger was directed at. belle just rejected him again so she was on his list too. I don't think Gaston even knows what he wants and he might not even know himself beyond what that little town society expects from him. He is like a black hole never filled because he will never be happy, because he will never know what actually make him happy. That would take some soul searching and brutal honesty with himself which I don't see Gaston caring one hoot about. He collect things, animal trophies, the prettiest girl, the town's admiration all to be the best, not necessarly human but the best. The movie does the beast / best, who is really human dance very well. The Beast has control and limits while Gaston doesn't. Gaston feels like a real world villain because he is.



Every Pixar Villain Ranked

Bottom place when it comes to worst pixar villain is for Empereur Zurg from Toy Story 2, a guy whose whole existence makes the movie worse. Toy Story 2 already had 2 antagonists. In Toy Story 3 he is barely a cameo. And in the film, nothing, no memorable dialogues, no real depth. 19 : The good dinosaur movie has one of their worst villain. Almost no one remember the villain's name was Thunderclap. The movie is a bout a bunch of scenes strung together where dino kid and dog boy encounter various unmemorable dinosaurs then they move to the next one. Easily one of the less liked pixar movies if not the less liked, just like Buzz Lightyear. Thunderclap just shows in 5 minutes Basically he just wants to eat the boy and the T rexes chase him off. But in the third act the movie remembers it needed to have a third act. So it brings him back he kidnaps dog boy then instead of eating him immediatly they put him in a tree where he can dodge them. Outside of being leader of a cult whorshipping storms, Thunderclap has no character. On of the most underwhelming, pathetic and forgettable pixar villains.
18 : The German car on cars 2 is just acting on the twist of the villain car.. The plot of cars 2 villain is convoluted. Miles Axelrod created an alternative fuel but then made it look like this alternative fuel was bad and kills people with it so he can trick people into only wanting to use oil forever and use their large oil reserve to become the most powerful cars in the world. The villains are lemon cars and society stopped manufacturing their parts. Axelrod is rich. Why not using his money and significance within car society to bring the change he wants to see in the world instead of committing terrorism. He could have tried to manufacture the parts himself. If he was not the richest guy in the world the villain would have make much more sense. The scene where Mater confronts him with facts and logic, cornering him and forcing him to deactivate the bomb verbally was still neat. We get the usual problem of twist villain where we barely get to see his evil side. He only shows up in the 3 minutse scene where he is talking to men cars with his identity covered. Axelrod is just an ok villain. 17 : Johnny Worthington III from Monster Academy is a douchebag rival character. He barely gets to come up. When he is defeated at the scare game, gets surprised by this but then the next scene he says he is totally fine and saying Sully welcome back in our team even if Sully was on the team that won against them. He is basically Bradley Uppercrust III but without any charisma or enjoyability. Quite forgettable.

16 : Jackson Storm from Cars 3 is basically a worse Chick Hicks. He is good at being douchy, getting into Lightning Mcqueen's head.That being said it feels like you could replace any aspect of him with anything else and it would not make a difference. His dialogue, design, voice are just ok. He serves his purpose but that's it. 15 : Screenslaver from the Incredibles 2 was a decent villain but that's it. Even the ones who liked this movie will generally tell that this villain was mid. She lacked all of the menace and stage presence that Syndrome had. She is obvious as a twist villain considering it could have been only 2 characters. Bob Odenkirk would have been too obvious. Her plans to run the reputation of supers is so baffingly elaborate that the reputation of supers if already in the toilets when the movie begins. The screenslaver personna is pretty intimidating and would have made for a decently effective villain if the ones realizing that movie didn't feel the need to shove a twist in here. The interesting part of this character falls apart when the screenslaver is just the mouthpiece of a boring lady who got upset that her dad made a phone call to superheroes and got killed for it. A very contrived situation to base your entire ideology around. It could be excused if she was entertaining at least which she was not.
12 : Chick Hicks might be the funniest pixar villain. Not because of what he says but just his very existence which brings joy. A perfect douchebag rival who doesn't affect the vast majority of the film's plot and yet his sheer hilarity is enough to propell him higher on the list than he really deserves. It's impressive to make a runner more unlikable than Mcqueen at the start of the film. It's someone who never grows and never improves as a car person, eventually crashing out the King, prompting Lightning Mcqueen to display his trully exceptionnal growth. Chick Hicks isn't a stellar overarching antagonist but he is perfect for what the movie requires. Maybe Michael's Keaton best voice performance. 11 : Otto isn't compelling the way Wall E and Eve are because he is a deliberate contrast to them. He sticks to his programming and directives no matter what. He believes Earth is beyond saving. That's what the human from centuries ago believed and he lacks the free will and autonomy to question that. It's deliberate and well done but at the same time it doesn't make it for an interesting character. I don't find myself compelled by him individually. Individually he has a lot of attributes like his intimidating voice, the fact that he has command of every system on this ship, making him a formidable foe.

Auto, from Wall E. My main sticking point is that he's a really flat character when you compare him to the rest of the robots who have so much expression and personality. But maybe it was this point. AUTO isn't compelling in the way WALL-E and EVE are because he's a deliberate contrast to them. He sticks to his programming and directive no matter what. He believes Earth is beyond saving because that's what the humans from centuries ago believed, and he lacks the free will and autonomy to question that. It's an interesting character choice. But at the same time, it still doesn't really make for an interesting character. I appreciate what AUTO's lack of autonomy says about the heroes, but I just don't find myself compelled by him individually. He has a ton of good attributes, like his voice, who is very intimidating. The fact that he pretty much has command of every system on the ship makes him a formidable foe. When he tases WALL-E, you really want this stupid wheel dead.
10 : Charles Muntz. He is the textbook example of a good pixar villain who works for what he is. He is a lunatic who lost himself in a singular obsession for decades. If he doesn't capture this bird he will never get his honor back. His villainous turn makes sense. The scene where he basically tells Carl that he killed a lot of people is really intimidating and you can only hate him when he sets fire to Carl's house. He really works well for what the movie needs. It also encapsulate the whole " never meet your heros " thing.



8 : Papi Pépite from Toy Story 2 is pretty good. He just wants to go to Japan and he is such a weeb. What makes him a good villain si that everything he does throughout the movie makes sense. The entire time he is being gently, telling Woody how long will it last with Andy, that he shold stay with them and last forever. He is getting his way through clever manipulation. Then when he can't appeal to Woody through words anymore he says that he is not going to anime land and he is going to like it. His goals remain consistent throughout the film. It's just his manner of going abouut it that drastically changes once he has no choice. He is so adamant that being immortalized in this musuem is way better than being played by a child. Because he's never experienced that he never got sold and he is a bitter and jealous as a result. A guess is that no one has loved him before because he knows nothing about hearts and love. He never got a chance to make a child happy. So he convinces himself that getting played with by a children sucks and he wants Woody and Jessy to con with his way of thinking. Too bad the indomitable bond between childrens and their toys exist. 7 : Skinner Outside the funny envelop opening meme, Skinner is actually onf of pixar best villains. This little dude with short temper, takes command of the kitchen and he is fun to watch. He is understandably hatable like when he wants to exploit the image of his dead friend Auguste Gusteau to make a merchandisable frozen food chain. And he is funny. You got to love his increasing paranoia as no one believes this phantom rat he is chasing really exists. He is an effective villain for easily 2 thirds of the film. He might just overstays his welcome within the narrative a bit. He is still probably the weakest part of the third act as you don't really need him. He is still an all time great Pixar villain. Some of his lines are just memorable.



6 : Ernesto de la Cruz, from Coco. He is a twist villain that came straight out of the twist villain overuse era of the 2010s. So some might be surprised about him being high. But despite his relative lack of screentime, it's down to hatability and the impact of his actions. Ernesto works because he's not some secret mastermind manipulating the main conflict of the story, leading to an underwhelming gotcha reveal by the end. He did one evil thing about a century ago: poisoning his best friend and stealing his music in order to get famous. Already a massive hatable dick move, but it's the unintended impact that really makes this so much worse. Héctor was just trying to return home to his family. That's all he wanted to do! And since he never got to do that thanks to this bitch, they assumed he abandoned them for generations and nearly forgot about him as they drilled a hate for music into the heads of everyone in the family. All because someone just couldn't make it on his own without stealing and taking credit for his best friend's songs. But it worked for so long. Ernesto committed the perfect crime, one so perfect that he literally showed everyone what happened in one of his movies and no one ever suspected him. The sheer ego and arrogance to not only attempt that, but pull it off as well is truly remarkable. You also gotta add his willingness to throw a child to his death just to protect his reputation. He loses some points because, to this day, I don't understand why he didn't just tear up the photo of Héctor. . And his ultimate defeat is a little similar to another Pixar villain later in the list while also feeling a lot less natural here. Overall, the kind of twist villain you actually hate for being hatable rather than being pathetic. He really works for what the movie needs.

4 : " A bug's life " as a movie is not really the best Pixar movie although it's still great. But his villain really carried the movie. Hopper is undoubtly the highlight of the film. The heros are fine but it's one of those movie where the villain really steals the show. During the first horu he only shows up during 2 scenes and yet he shadow lingers over all of it. THe entire plot revolves around the dread of this imminent return after he demands double of the usual amout of food and said dread is enhanced by the great first impression he makes. He is just effortlessly intimidating while also being charismatic in a crooked and sinister way. A lot of this comes from his creepy design and rough skin texture. The voicing performance from Kevin Spacey really nailed it. The character's lines on top of that are really dripping with malice. The scene where he uses grains as a metaphor to prove the might of hundreds of ants, he makes the point quite vividly by murdering dudes under the others. It establishes why he is in charge and why everyon continues to follow his orders. Finally Hopper makes such a great villain because he is a textbook definition of an oppressor. No other pixar villain uproots the life of an entire group like this nor does any Pixar villain feels quite as significant to the film's overall message about rising up and fighting back against oppression. The moral woudln't be nearly as potent if the villain wasn't so effectively evil. His interactions with his brother are also comedy gold. Without mentionning that his death scene is quite sick.
3 : Henry J. Waternoose, from Monsters, Inc. As great of a villain as Randall is, I feel like he's often overshadowed by the twist villain who got significantly less screentime. Waternoose is just that good. While most twist villains feel pulled out of the movie's ass, I feel like it would be more of a ass pull if the CEO wasn't in on the evil plan in this movie. That's saying that Waternoose is predictable as a twist villain because the movie already a villain : Randall. So not only is it a surprise for the movie to throw in a second antagonist, but it's also a surprise that he's genuinely a better villain. There's actually a good deal of foreshadowing hinting at his true nature, such as in the commercial when he says Monsters, Inc. is researching new energy techniques. Or when he earnestly tells Sulley that he would do anything to keep this company from going under. Now that we live in an age where CEOs are more actively and loudly evil than ever, something about this guy just really hits close to home. It's hard to argue that Waternoose isn't one of the most morally corrupt characters in the Pixar canon. Being totally okay with hooking children up to a terrifying suction machine and extracting their screams, which I don't even want to know the details of that, all because he doesn't want his company to go under. There are some other good attributes to him as a villain. His design is really intimidating, but you kind of get used to it due to his warm demeanor throughout most of the film. Then when the mask comes off, it’s like, “Oh yeah, this guy looks horrifying. I forgot.” I also appreciate that he feels realistic in the sense that he does regret the situation with Mike and Sulley. He doesn’t want to banish them and he tells off Randall for having to do this, even noting what a good scarer Sulley is. His entire character honestly boils down to that one iconic line in the ending : I’ll kidnap a thousand children before I let this company die! "

acting and perfect writing. He is as sinister as he can be. I like his really tragic backstory and how the movie doesn't even attempt to use that as a way to sympathize with him. but just as a way to explain his actions. He is basically the equivalent of Woody in the first film being bitter and resentful that someone else replaced him except he channels those feelings into a far darker path. It's not enough to just go in this daycare and be loved by kids. He has to exert control over the entire place, over his former friends, over all the innocent toys here all to makes up for the loss of contrl in his own life. He is a great manipulator, not only intimidating Chuckles into being quiet about the fact that he and big baby weren't replaced but also convincing Buzz that the new toys sould be stuck with the little kids since the odler toys can't handle that kind of playtime anymore. It souds like a reasonable explanation even though it's all in front of this stupid cast system he's concocted. Even before that the fact that he walked in on Buzz torture scene and has the gall to be like " that's now how we do things " It's like he relishes in manipulating people. You can also tell it when he throws Woody'shat to the ground as if to say " yeah we got him " even though he got away. And about Tosto's friends, they only need to know what thei master propagandist tells to them.
But the thing cementing this guy as one of the most twistedvillain of any animated film is the climax with the gang being at the dump heading to the incinerator, a situation Lotso dragged them into literally when he grabbed Woody. Woody and Buzz risked their lifes to save Lotso from the saw blade even after that. They excpect to be saved in return. They give him a boost to turn off the conveyor belt that is leading them to the furnace. And even as a kid It was obvious that he wouldn't turn it off. That doesn't make this moment any less appalling. He doesn't even have anything to gain from letting them die. In this moment he shows his true colors to all to see, just a completly irredeemable monstrous sociopath who quite frankly deserves to die. He ends up just being tied to the hood of a garbage truck. Overall a fantastic villain one who could be Pixar's number 1 best villain if it wasn't for one guy.

1 : Syndrome. An alll time great supervillain, marrying some truly heinous and evil actions with some insanely hilarious mannerisms and line deliveries. He starts out as a dorkiest fanboy known to man, annoying Mr Incredible as he tries and fails to be a worthy sidekick. Then the movie flashes forward and you kinda forget him for a while until the reveal that he is the mysterious benefactor requesting hero work out of Bob. It's part of his plans to systematically isolate and destroy every single super hero as revenge for being shunned by Bob all those years ago. He basically committed a super hero genocide. Because of his bitterness and resentment towards one guy. As memorable and fantastic as his screen presence is the scene perfectly laying out how dark, sinister and ruthless he is doesn't even feature him. It's just Bob going through the records on his computer to see that his friends and colleagues have been wiped out. It hits different than any scene the studio has concocted. It's not just a Pixar sad moment. It's veering into some unexpectedly dark territory. In spite of his murderous sin tendencies, Syndrome remains as much of a goofy goober as he was in his youth and the resulting mixture is just so tantalizing of a character and villain. After he sens out life scanner and it tells him that Mr Incredible has been terminated it's hard to forget that smirk he gives. It's the perfect midpoint between being evil and a complete dork. There are so many facial expressions and deliveries that give this guy an overwhelming amout of personality.
To say that Jason Lee killed it in this role is an understatement. Syndrome's relentless killing of superheroes is only matched by his gleeful indifference to kill childrens with a ballistic missile. Even if Pixar had villains trying to kill kids, it was more a mean to an end. They didn't seem to relish in it unlike Syndrome. Ultimatly his plan to defeat his own robot and makes himself look like artificialyl a hero fail. But this pathetic display does not diminish how twisted and vile he is. Rather it perfectly suits the main conceit of the character that he isn't a hero and can never become one. That's not due to his lack of powers but rather a result of his actions, an irredeemable moral compass. Some people like Syndrome for advocating for people who aren't special, who cannot do special things, for people not born special who are being told that they shouldn't stop aspiring about becoming special. But I don't think it's what the movie is. Ultimatly it doesn't discredit the brand of malice Syndrome brings.

Analyzing Evil: Syndrome From The Incredibles

In a world where superheroes walk among mortals, for Syndrome, his interest was to work with Mr Incredible. To Buddy Pine, he was everything. He wanted to become like his heroe althought it was impossible. After all, he wasn't super unlike him. Despite his limitations he signed himself up to be Mr Incredible's sidekick, Incrediboy. He had qualifications, a pair of rocket boots and a noble claim to be his number 1 fan. Unfortunatly Mr Incredible refused his help and rightfully so as involving Buddy Pine into crime fighting not only would have been quite the hinderance but a danger to both Buddy and Mr Incredible's lives. After Buddy caused a debacle, Mr Incredible insured him that he was taught a lesson by putting him at the back of a police car, scolding, chastising him and sending him to his mother afterwards. But Buddy was understandably crushed. From this disappointment would form a lifelong hatred of supers, the special biengs that he once wanted to be. Elements of one's childhood play a heavy hand at forming who we are. Even if Mr Incredible was right to refuse his help, he did it in one of the worst ways. Instead of leveling with a child who saw him as a God on earth, explaining to him the dangers of his work and educating him in a positive manner. He brushed him off and treated him as an annoyance. If you treat someone poorly, the end result of that treatment is more likely to be poor and positive. It's difficult sometimes to reign that frustration in. Kids can sometimes be annoying but if you try your best to make expressing your frustration the exception rather than the rule, you will find that you as much as the person you are caring for will be better of at the end. Unfortunatly when it comes to adoring young fans, Mr Incredible seem to have expressing his frustrations in a negative way. During their first encounter, instead of explaining the dangers of his job and letting Buddy down gently, he chooses to launch him from his car out onto the grass.
Rather than giving up, Syndrome continued to follow his idol, making a remarkable entrance with a pair of rocket boots. And here he is again rebuffed. What ensues is chaos that almost claim multiple lives and then a reprimand that only seeks to punish once again rather than educate. Not to mention that Buddy was was probably barely 10 years old at the time, invented a pair of rocket boots, indicating that he was already special due to his genius. 15 years later, Buddy is far away from being the spunky would be do gooder that he was in his youth. Arrogant, merciless and condescendant, Buddy is still similar but with a lot more malice. now fueling everything he does. His humor is laced with brutal tint and his motives are centered entirely on what he wants no matter what he might cost to anyone else. The way he still has some naive child like qualities while amplyfying them with sadism and cruelty only adds terror to his persona. Syndrome's ingenuisity could easily have been turned towards fighting evil or improving society. Revolutionnary medicine, technologies, the possibilities seemed endless. What he created ended up being impactful but not in a way benefiting anyone but Syndrome. Who know how many lives were taken because of the weapons that Syndrome sold to malefactors. If the machinations ended here, maybe Syndrome could have live out the rest of his days in devilish style and a pile of cash. But for a man that wished once entering the annals of fame and recognition alongside Mr Incredible, that would never have been enough. His motives : the murder of every superheroes might manufacture a crisis so Syndrome could save the day and become the greatest hero who ever lived. But at the end, his hubris and desire for revenge would spell his own end.